8.1
Movie
Camera
Karl Freund
- Born
- Died
- (aged 79)
- Birthplace
- Königinhof, Bohemia, Czech Republic
- Credits
- 138 titles
Biography
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Signature work
Known For
8.1
Movie
7.2
Movie
Dracula
7.8
Movie
All Quiet on the Western Front
6.7
Movie
The Mummy
7.5
Movie
Key Largo
7.8
Movie
The Last Laugh
7.0
Movie
The Golem: How He Came into the World
6.9
Movie
Pride and Prejudice
7.0
Movie
Camille
6.3
Movie
The Great Ziegfeld
6.0
Movie
Murders in the Rue Morgue
7.5
Movie
Berlin: Symphony of a Great City
7.0
Movie
Mad Love
7.1
Movie
The Thin Man Goes Home
6.3
Movie
The Good Earth
7.2
Movie
Tartuffe
6.4
Movie
Michael
6.7
Movie
A Guy Named Joe
Acting credits 3
| Year | Title | Role |
|---|---|---|
| 1951 | German Film Award TV | Self (1 ep) |
| 1941 | You Can't Fool a Camera Film | Himself |
| 1924 | Michael Film | LeBlanc - Art Dealer |
Crew credits 136
| Year | Title | Job |
|---|---|---|
| 1960 | The Golem Film | Director of Photography |
| 1953 | I Love Lucy: The Movie Film | Director of Photography |
| 1950 | Bright Leaf Film | Director of Photography |
| 1950 | Montana Film | Director of Photography |
| 1949 | South of St. Louis Film | Director of Photography |
| 1948 | The Decision of Christopher Blake Film | Director of Photography |
| 1948 | Key Largo Film | Director of Photography |
| 1948 | Wallflower Film | Director of Photography |
| 1947 | That Hagen Girl Film | Director of Photography |
| 1947 | This Time for Keeps Film | Director of Photography |
| 1946 | Undercurrent Film | Director of Photography |
| 1946 | A Letter for Evie Film | Director of Photography |
| 1946 | Two Smart People Film | Director of Photography |
| 1945 | Dangerous Partners Film | Director of Photography |
| 1945 | Without Love Film | Director of Photography |
| 1944 | The Thin Man Goes Home Film | Director of Photography |
| 1944 | The Seventh Cross Film | Director of Photography |
| 1944 | A Guy Named Joe Film | Director of Photography |
| 1943 | Cry 'Havoc' Film | Director of Photography |
| 1943 | Du Barry Was a Lady Film | Director of Photography |
| 1942 | A Yank at Eton Film | Director of Photography |
| 1942 | The War Against Mrs. Hadley Film | Director of Photography |
| 1942 | The Affairs of Martha Film | Director of Photography |
| 1942 | Tortilla Flat Film | Director of Photography |
| 1941 | The Chocolate Soldier Film | Director of Photography |
| 1941 | Blossoms in the Dust Film | Director of Photography |
| 1940 | Comrade X Film | Camera Operator |
| 1940 | Pride and Prejudice Film | Director of Photography |
| 1940 | We Who Are Young Film | Director of Photography |
| 1940 | Florian Film | Director of Photography |
| 1940 | Green Hell Film | Director of Photography |
| 1940 | The Earl of Chicago Film | Director of Photography |
| 1939 | Balalaika Film | Director of Photography |
| 1939 | Barricade Film | Director of Photography |
| 1939 | Golden Boy Film | Director of Photography |
| 1939 | Rose of Washington Square Film | Director of Photography |
| 1939 | Tail Spin Film | Director of Photography |
| 1938 | Letter of Introduction Film | Director of Photography |
| 1938 | Port of Seven Seas Film | Director of Photography |
| 1938 | Three Comrades Film | Director of Photography |
| 1938 | Man-Proof Film | Director of Photography |
| 1937 | Conquest Film | Director of Photography |
| 1937 | Parnell Film | Director of Photography |
| 1937 | The Good Earth Film | Director of Photography |
| 1936 | Camille Film | Director of Photography |
| 1936 | The Great Ziegfeld Film | Director of Photography |
| 1935 | Mad Love Film | Director |
| 1934 | Gift of Gab Film | Director |
| 1934 | I Give My Love Film | Director |
| 1934 | Uncertain Lady Film | Director |
| 1934 | The Countess of Monte Cristo Film | Director |
| 1934 | Madame Spy Film | Director |
| 1933 | Moonlight and Pretzels Film | Director |
| 1933 | The Kiss Before the Mirror Film | Director of Photography |
| 1932 | The Mummy Film | Director |
| 1932 | Afraid to Talk Film | Director of Photography |
| 1932 | Air Mail Film | Director of Photography |
| 1932 | Back Street Film | Director of Photography |
| 1932 | Scandal for Sale Film | Director of Photography |
| 1932 | Murders in the Rue Morgue Film | Director of Photography |