Karl Freund

Camera

Karl Freund

Born
Died
(aged 79)
Birthplace
Königinhof, Bohemia, Czech Republic
Credits
138 titles

Biography

​From Wikipedia, the free encyclopedia.

Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).

In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.

Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".

Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Signature work

Known For

Acting credits 3

YearTitleRole
1951 German Film Award TV Self (1 ep)
1941 You Can't Fool a Camera Film Himself
1924 Michael Film LeBlanc - Art Dealer

Crew credits 136

YearTitleJob
1960 The Golem Film Director of Photography
1953 I Love Lucy: The Movie Film Director of Photography
1950 Bright Leaf Film Director of Photography
1950 Montana Film Director of Photography
1949 South of St. Louis Film Director of Photography
1948 The Decision of Christopher Blake Film Director of Photography
1948 Key Largo Film Director of Photography
1948 Wallflower Film Director of Photography
1947 That Hagen Girl Film Director of Photography
1947 This Time for Keeps Film Director of Photography
1946 Undercurrent Film Director of Photography
1946 A Letter for Evie Film Director of Photography
1946 Two Smart People Film Director of Photography
1945 Dangerous Partners Film Director of Photography
1945 Without Love Film Director of Photography
1944 The Thin Man Goes Home Film Director of Photography
1944 The Seventh Cross Film Director of Photography
1944 A Guy Named Joe Film Director of Photography
1943 Cry 'Havoc' Film Director of Photography
1943 Du Barry Was a Lady Film Director of Photography
1942 A Yank at Eton Film Director of Photography
1942 The War Against Mrs. Hadley Film Director of Photography
1942 The Affairs of Martha Film Director of Photography
1942 Tortilla Flat Film Director of Photography
1941 The Chocolate Soldier Film Director of Photography
1941 Blossoms in the Dust Film Director of Photography
1940 Comrade X Film Camera Operator
1940 Pride and Prejudice Film Director of Photography
1940 We Who Are Young Film Director of Photography
1940 Florian Film Director of Photography
1940 Green Hell Film Director of Photography
1940 The Earl of Chicago Film Director of Photography
1939 Balalaika Film Director of Photography
1939 Barricade Film Director of Photography
1939 Golden Boy Film Director of Photography
1939 Rose of Washington Square Film Director of Photography
1939 Tail Spin Film Director of Photography
1938 Letter of Introduction Film Director of Photography
1938 Port of Seven Seas Film Director of Photography
1938 Three Comrades Film Director of Photography
1938 Man-Proof Film Director of Photography
1937 Conquest Film Director of Photography
1937 Parnell Film Director of Photography
1937 The Good Earth Film Director of Photography
1936 Camille Film Director of Photography
1936 The Great Ziegfeld Film Director of Photography
1935 Mad Love Film Director
1934 Gift of Gab Film Director
1934 I Give My Love Film Director
1934 Uncertain Lady Film Director
1934 The Countess of Monte Cristo Film Director
1934 Madame Spy Film Director
1933 Moonlight and Pretzels Film Director
1933 The Kiss Before the Mirror Film Director of Photography
1932 The Mummy Film Director
1932 Afraid to Talk Film Director of Photography
1932 Air Mail Film Director of Photography
1932 Back Street Film Director of Photography
1932 Scandal for Sale Film Director of Photography
1932 Murders in the Rue Morgue Film Director of Photography
Ask the AI