8.1
Película
Cámara
Karl Freund
- Nacimiento
- Fallecimiento
- (79 años)
- Lugar de nacimiento
- Königinhof, Bohemia, Czech Republic
- Créditos
- 138 títulos
Biografía
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Obra más destacada
Conocido/a por
8.1
Película
7.2
Película
Drácula
7.8
Película
Sin novedad en el frente
6.7
Película
La momia
7.5
Película
Cayo Largo
7.8
Película
El último
7.0
Película
El Golem
7.0
Película
La dama de las camelias
6.9
Película
Más fuerte que el orgullo
6.0
Película
El doble asesinato de la calle Morgue
6.3
Película
El gran Ziegfeld
7.5
Película
Berlín: Sinfonia de una gran ciudad
7.0
Película
Las manos de Orlac
7.1
Película
El regreso de aquel hombre
6.3
Película
La buena tierra
7.2
Película
Tartufo o el hipócrita
6.4
Película
Michael
6.7
Película
Dos en el cielo
Créditos de interpretación 3
| Año | Título | Rol |
|---|---|---|
| 1951 | Deutscher Filmpreis TV | Self (1 ep.) |
| 1941 | You Can't Fool a Camera Película | Himself |
| 1924 | Michael Película | LeBlanc - Art Dealer |
Créditos del equipo técnico 136
| Año | Título | Función |
|---|---|---|
| 1960 | The Golem Película | Director of Photography |
| 1953 | I Love Lucy: The Movie Película | Director of Photography |
| 1950 | El rey del tabaco Película | Director of Photography |
| 1950 | Montana Película | Director of Photography |
| 1949 | Al sur de San Luis Película | Director of Photography |
| 1948 | The Decision of Christopher Blake Película | Director of Photography |
| 1948 | Cayo Largo Película | Director of Photography |
| 1948 | Wallflower Película | Director of Photography |
| 1947 | Calumniaron a Mary Hagen Película | Director of Photography |
| 1947 | El recuerdo de tus labios Película | Director of Photography |
| 1946 | Corrientes ocultas Película | Director of Photography |
| 1946 | A Letter for Evie Película | Director of Photography |
| 1946 | Two Smart People Película | Director of Photography |
| 1945 | Dangerous Partners Película | Director of Photography |
| 1945 | Sin amor Película | Director of Photography |
| 1944 | El regreso de aquel hombre Película | Director of Photography |
| 1944 | La séptima cruz Película | Director of Photography |
| 1944 | Dos en el cielo Película | Director of Photography |
| 1943 | Cry 'Havoc' Película | Director of Photography |
| 1943 | La Dubarry era una dama Película | Director of Photography |
| 1942 | Un yanqui en Eton Película | Director of Photography |
| 1942 | The War Against Mrs. Hadley Película | Director of Photography |
| 1942 | The Affairs of Martha Película | Director of Photography |
| 1942 | La vida es así Película | Director of Photography |
| 1941 | The Chocolate Soldier Película | Director of Photography |
| 1941 | De corazón a corazón Película | Director of Photography |
| 1940 | Camarada X Película | Camera Operator |
| 1940 | Más fuerte que el orgullo Película | Director of Photography |
| 1940 | We Who Are Young Película | Director of Photography |
| 1940 | Florian Película | Director of Photography |
| 1940 | Green Hell Película | Director of Photography |
| 1940 | The Earl of Chicago Película | Director of Photography |
| 1939 | Balalaika Película | Director of Photography |
| 1939 | Barricade Película | Director of Photography |
| 1939 | Sueño dorado Película | Director of Photography |
| 1939 | Es mi hombre Película | Director of Photography |
| 1939 | Tail Spin Película | Director of Photography |
| 1938 | Carta de presentación Película | Director of Photography |
| 1938 | Port of Seven Seas Película | Director of Photography |
| 1938 | Tres camaradas Película | Director of Photography |
| 1938 | Man-Proof Película | Director of Photography |
| 1937 | Maria Walewska Película | Director of Photography |
| 1937 | Parnell Película | Director of Photography |
| 1937 | La buena tierra Película | Director of Photography |
| 1936 | La dama de las camelias Película | Director of Photography |
| 1936 | El gran Ziegfeld Película | Director of Photography |
| 1935 | Las manos de Orlac Película | Director |
| 1934 | El don de la labia Película | Director |
| 1934 | I Give My Love Película | Director |
| 1934 | Uncertain Lady Película | Director |
| 1934 | The Countess of Monte Cristo Película | Director |
| 1934 | Madame Spy Película | Director |
| 1933 | Moonlight and Pretzels Película | Director |
| 1933 | Un beso ante el espejo Película | Director of Photography |
| 1932 | La momia Película | Director |
| 1932 | Afraid to Talk Película | Director of Photography |
| 1932 | Hombres sin miedo Película | Director of Photography |
| 1932 | La usurpadora Película | Director of Photography |
| 1932 | Scandal for Sale Película | Director of Photography |
| 1932 | El doble asesinato de la calle Morgue Película | Director of Photography |