8.1
Phim điện ảnh
Quay phim
Karl Freund
- Ngày sinh
- Mất
- (79 tuổi)
- Nơi sinh
- Königinhof, Bohemia, Czech Republic
- Danh sách thực hiện
- 138 tác phẩm
Tiểu sử
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Tác phẩm tiêu biểu
Tác phẩm nổi bật
8.1
Phim điện ảnh
7.2
Phim điện ảnh
Dracula
7.8
Phim điện ảnh
Phía Tây Không Có Gì Lạ
6.7
Phim điện ảnh
The Mummy
7.5
Phim điện ảnh
Key Largo
7.8
Phim điện ảnh
Der letzte Mann
7.0
Phim điện ảnh
Der Golem, wie er in die Welt kam
7.0
Phim điện ảnh
Camille
6.9
Phim điện ảnh
Pride and Prejudice
6.0
Phim điện ảnh
Murders in the Rue Morgue
6.3
Phim điện ảnh
The Great Ziegfeld
7.5
Phim điện ảnh
Berlin, Die Sinfonie der Großstadt
7.0
Phim điện ảnh
Mad Love
7.1
Phim điện ảnh
The Thin Man Goes Home
6.3
Phim điện ảnh
The Good Earth
7.2
Phim điện ảnh
Herr Tartüff
6.4
Phim điện ảnh
Michael
6.7
Phim điện ảnh
A Guy Named Joe
Danh sách phim đã đóng 3
| Năm | Tiêu đề | Vai trò |
|---|---|---|
| 1951 | Deutscher Filmpreis Truyền hình | Self (1 tập) |
| 1941 | You Can't Fool a Camera Phim điện ảnh | Himself |
| 1924 | Michael Phim điện ảnh | LeBlanc - Art Dealer |
Danh sách đoàn làm phim 136
| Năm | Tiêu đề | Vai trò |
|---|---|---|
| 1960 | The Golem Phim điện ảnh | Director of Photography |
| 1953 | I Love Lucy: The Movie Phim điện ảnh | Director of Photography |
| 1950 | Bright Leaf Phim điện ảnh | Director of Photography |
| 1950 | Montana Phim điện ảnh | Director of Photography |
| 1949 | South of St. Louis Phim điện ảnh | Director of Photography |
| 1948 | The Decision of Christopher Blake Phim điện ảnh | Director of Photography |
| 1948 | Key Largo Phim điện ảnh | Director of Photography |
| 1948 | Wallflower Phim điện ảnh | Director of Photography |
| 1947 | That Hagen Girl Phim điện ảnh | Director of Photography |
| 1947 | This Time for Keeps Phim điện ảnh | Director of Photography |
| 1946 | Undercurrent Phim điện ảnh | Director of Photography |
| 1946 | A Letter for Evie Phim điện ảnh | Director of Photography |
| 1946 | Two Smart People Phim điện ảnh | Director of Photography |
| 1945 | Dangerous Partners Phim điện ảnh | Director of Photography |
| 1945 | Without Love Phim điện ảnh | Director of Photography |
| 1944 | The Thin Man Goes Home Phim điện ảnh | Director of Photography |
| 1944 | The Seventh Cross Phim điện ảnh | Director of Photography |
| 1944 | A Guy Named Joe Phim điện ảnh | Director of Photography |
| 1943 | Cry 'Havoc' Phim điện ảnh | Director of Photography |
| 1943 | Du Barry Was a Lady Phim điện ảnh | Director of Photography |
| 1942 | A Yank at Eton Phim điện ảnh | Director of Photography |
| 1942 | The War Against Mrs. Hadley Phim điện ảnh | Director of Photography |
| 1942 | The Affairs of Martha Phim điện ảnh | Director of Photography |
| 1942 | Tortilla Flat Phim điện ảnh | Director of Photography |
| 1941 | The Chocolate Soldier Phim điện ảnh | Director of Photography |
| 1941 | Blossoms in the Dust Phim điện ảnh | Director of Photography |
| 1940 | Comrade X Phim điện ảnh | Camera Operator |
| 1940 | Pride and Prejudice Phim điện ảnh | Director of Photography |
| 1940 | We Who Are Young Phim điện ảnh | Director of Photography |
| 1940 | Florian Phim điện ảnh | Director of Photography |
| 1940 | Green Hell Phim điện ảnh | Director of Photography |
| 1940 | The Earl of Chicago Phim điện ảnh | Director of Photography |
| 1939 | Balalaika Phim điện ảnh | Director of Photography |
| 1939 | Barricade Phim điện ảnh | Director of Photography |
| 1939 | Golden Boy Phim điện ảnh | Director of Photography |
| 1939 | Rose of Washington Square Phim điện ảnh | Director of Photography |
| 1939 | Tail Spin Phim điện ảnh | Director of Photography |
| 1938 | Letter of Introduction Phim điện ảnh | Director of Photography |
| 1938 | Port of Seven Seas Phim điện ảnh | Director of Photography |
| 1938 | Three Comrades Phim điện ảnh | Director of Photography |
| 1938 | Man-Proof Phim điện ảnh | Director of Photography |
| 1937 | Conquest Phim điện ảnh | Director of Photography |
| 1937 | Parnell Phim điện ảnh | Director of Photography |
| 1937 | The Good Earth Phim điện ảnh | Director of Photography |
| 1936 | Camille Phim điện ảnh | Director of Photography |
| 1936 | The Great Ziegfeld Phim điện ảnh | Director of Photography |
| 1935 | Mad Love Phim điện ảnh | Director |
| 1934 | Gift of Gab Phim điện ảnh | Director |
| 1934 | I Give My Love Phim điện ảnh | Director |
| 1934 | Uncertain Lady Phim điện ảnh | Director |
| 1934 | The Countess of Monte Cristo Phim điện ảnh | Director |
| 1934 | Madame Spy Phim điện ảnh | Director |
| 1933 | Moonlight and Pretzels Phim điện ảnh | Director |
| 1933 | The Kiss Before the Mirror Phim điện ảnh | Director of Photography |
| 1932 | The Mummy Phim điện ảnh | Director |
| 1932 | Afraid to Talk Phim điện ảnh | Director of Photography |
| 1932 | Air Mail Phim điện ảnh | Director of Photography |
| 1932 | Back Street Phim điện ảnh | Director of Photography |
| 1932 | Scandal for Sale Phim điện ảnh | Director of Photography |
| 1932 | Murders in the Rue Morgue Phim điện ảnh | Director of Photography |