8.1
电影
摄影
Karl Freund
- 出生日期
- 逝世
- (年龄 79)
- 出生地
- Königinhof, Bohemia, Czech Republic
- 演职员表
- 138 部作品
人物简介
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
代表作
代表作
参演作品 3
| 年份 | 片名 | 角色 |
|---|---|---|
| 1951 | Deutscher Filmpreis 剧集 | Self (1 集) |
| 1941 | You Can't Fool a Camera 电影 | Himself |
| 1924 | 麦克尔 电影 | LeBlanc - Art Dealer |
幕后团队名单 136
| 年份 | 片名 | 职务 |
|---|---|---|
| 1960 | The Golem 电影 | Director of Photography |
| 1953 | I Love Lucy: The Movie 电影 | Director of Photography |
| 1950 | Bright Leaf 电影 | Director of Photography |
| 1950 | 原野游侠 电影 | Director of Photography |
| 1949 | 碧血洗边城 电影 | Director of Photography |
| 1948 | The Decision of Christopher Blake 电影 | Director of Photography |
| 1948 | 盖世枭雄 电影 | Director of Photography |
| 1948 | Wallflower 电影 | Director of Photography |
| 1947 | 哈根姑娘 电影 | Director of Photography |
| 1947 | This Time for Keeps 电影 | Director of Photography |
| 1946 | 新婚浩劫 电影 | Director of Photography |
| 1946 | 给伊维的信 电影 | Director of Photography |
| 1946 | Two Smart People 电影 | Director of Photography |
| 1945 | Dangerous Partners 电影 | Director of Photography |
| 1945 | 没有爱 电影 | Director of Photography |
| 1944 | 疑云风波 电影 | Director of Photography |
| 1944 | 还我自由 电影 | Director of Photography |
| 1944 | 祖儿小子 电影 | Director of Photography |
| 1943 | Cry 'Havoc' 电影 | Director of Photography |
| 1943 | 璇宫绮梦 电影 | Director of Photography |
| 1942 | A Yank at Eton 电影 | Director of Photography |
| 1942 | The War Against Mrs. Hadley 电影 | Director of Photography |
| 1942 | The Affairs of Martha 电影 | Director of Photography |
| 1942 | 薄饼坪 电影 | Director of Photography |
| 1941 | The Chocolate Soldier 电影 | Director of Photography |
| 1941 | 落花飘零 电影 | Director of Photography |
| 1940 | 某某同志 电影 | Camera Operator |
| 1940 | 傲慢与偏见 电影 | Director of Photography |
| 1940 | We Who Are Young 电影 | Director of Photography |
| 1940 | Florian 电影 | Director of Photography |
| 1940 | 绿色地狱 电影 | Director of Photography |
| 1940 | The Earl of Chicago 电影 | Director of Photography |
| 1939 | 三弦琴 电影 | Director of Photography |
| 1939 | Barricade 电影 | Director of Photography |
| 1939 | 金童 电影 | Director of Photography |
| 1939 | Rose of Washington Square 电影 | Director of Photography |
| 1939 | Tail Spin 电影 | Director of Photography |
| 1938 | Letter of Introduction 电影 | Director of Photography |
| 1938 | Port of Seven Seas 电影 | Director of Photography |
| 1938 | 战后三友 电影 | Director of Photography |
| 1938 | 夺夫术 电影 | Director of Photography |
| 1937 | 拿破仑情史 电影 | Director of Photography |
| 1937 | Parnell 电影 | Director of Photography |
| 1937 | 大地 电影 | Director of Photography |
| 1936 | 茶花女 电影 | Director of Photography |
| 1936 | 歌舞大王齐格飞 电影 | Director of Photography |
| 1935 | 疯狂之爱 电影 | Director |
| 1934 | 能说会道 电影 | Director |
| 1934 | I Give My Love 电影 | Director |
| 1934 | Uncertain Lady 电影 | Director |
| 1934 | The Countess of Monte Cristo 电影 | Director |
| 1934 | 谍夫人 电影 | Director |
| 1933 | Moonlight and Pretzels 电影 | Director |
| 1933 | 镜前一吻 电影 | Director of Photography |
| 1932 | 木乃伊 电影 | Director |
| 1932 | Afraid to Talk 电影 | Director of Photography |
| 1932 | Air Mail 电影 | Director of Photography |
| 1932 | Back Street 电影 | Director of Photography |
| 1932 | Scandal for Sale 电影 | Director of Photography |
| 1932 | 莫格街谋杀案 电影 | Director of Photography |