8.1
Film
Kamera
Karl Freund
- Geboren
- Gestorben
- (im Alter von 79)
- Geburtsort
- Königinhof, Bohemia, Czech Republic
- Mitwirkende
- 138 Titel
Biografie
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bekanntestes Werk
Bekannt für
8.1
Film
7.2
Film
Dracula
7.8
Film
Im Westen nichts Neues
6.7
Film
Die Mumie
7.5
Film
Gangster in Key Largo
7.8
Film
Der letzte Mann
7.0
Film
Der Golem, wie er in die Welt kam
6.9
Film
Stolz und Vorurteil
7.0
Film
Die Kameliendame
6.3
Film
Der große Ziegfeld
6.0
Film
Mord in der Rue Morgue
7.5
Film
Berlin, Die Sinfonie der Großstadt
7.0
Film
Mad Love
7.1
Film
Der dünne Mann kehrt heim
6.3
Film
Die gute Erde
7.2
Film
Herr Tartüff
6.4
Film
Michael
6.7
Film
Kampf in den Wolken
Schauspielerische Mitwirkung 3
| Jahr | Titel | Rolle |
|---|---|---|
| 1951 | Deutscher Filmpreis TV | Self (1 Ep.) |
| 1941 | You Can't Fool a Camera Film | Himself |
| 1924 | Michael Film | LeBlanc - Art Dealer |
Filmstab 136
| Jahr | Titel | Tätigkeit |
|---|---|---|
| 1960 | The Golem Film | Director of Photography |
| 1953 | I Love Lucy: The Movie Film | Director of Photography |
| 1950 | Zwischen zwei Frauen Film | Director of Photography |
| 1950 | Montana Film | Director of Photography |
| 1949 | Konterbande - Südlich von St. Louis Film | Director of Photography |
| 1948 | The Decision of Christopher Blake Film | Director of Photography |
| 1948 | Gangster in Key Largo Film | Director of Photography |
| 1948 | Wallflower Film | Director of Photography |
| 1947 | That Hagen Girl Film | Director of Photography |
| 1947 | Bezaubernde Lippen Film | Director of Photography |
| 1946 | Der unbekannte Geliebte Film | Director of Photography |
| 1946 | A Letter for Evie Film | Director of Photography |
| 1946 | Two Smart People Film | Director of Photography |
| 1945 | Gefährliche Partnerschaft Film | Director of Photography |
| 1945 | Zu klug für die Liebe Film | Director of Photography |
| 1944 | Der dünne Mann kehrt heim Film | Director of Photography |
| 1944 | Das siebte Kreuz Film | Director of Photography |
| 1944 | Kampf in den Wolken Film | Director of Photography |
| 1943 | Cry 'Havoc' Film | Director of Photography |
| 1943 | Du Barry Was a Lady Film | Director of Photography |
| 1942 | A Yank at Eton Film | Director of Photography |
| 1942 | The War Against Mrs. Hadley Film | Director of Photography |
| 1942 | The Affairs of Martha Film | Director of Photography |
| 1942 | Tortilla Flat Film | Director of Photography |
| 1941 | The Chocolate Soldier Film | Director of Photography |
| 1941 | Blüten im Staub Film | Director of Photography |
| 1940 | Comrade X Film | Camera Operator |
| 1940 | Stolz und Vorurteil Film | Director of Photography |
| 1940 | We Who Are Young Film | Director of Photography |
| 1940 | Florian Film | Director of Photography |
| 1940 | Die grüne Hölle Film | Director of Photography |
| 1940 | The Earl of Chicago Film | Director of Photography |
| 1939 | Balalaika Film | Director of Photography |
| 1939 | Barricade Film | Director of Photography |
| 1939 | Golden Boy Film | Director of Photography |
| 1939 | Rose of Washington Square Film | Director of Photography |
| 1939 | Tail Spin Film | Director of Photography |
| 1938 | Letter of Introduction Film | Director of Photography |
| 1938 | Port of Seven Seas Film | Director of Photography |
| 1938 | Three Comrades Film | Director of Photography |
| 1938 | Man-Proof Film | Director of Photography |
| 1937 | Maria Waleska Film | Director of Photography |
| 1937 | Feuer über Irland Film | Director of Photography |
| 1937 | Die gute Erde Film | Director of Photography |
| 1936 | Die Kameliendame Film | Director of Photography |
| 1936 | Der große Ziegfeld Film | Director of Photography |
| 1935 | Mad Love Film | Director |
| 1934 | Gift of Gab Film | Director |
| 1934 | I Give My Love Film | Director |
| 1934 | Uncertain Lady Film | Director |
| 1934 | Die Gräfin von Monte Christo Film | Director |
| 1934 | Madame Spy Film | Director |
| 1933 | Moonlight and Pretzels Film | Director |
| 1933 | The Kiss Before the Mirror Film | Director of Photography |
| 1932 | Die Mumie Film | Director |
| 1932 | Afraid to Talk Film | Director of Photography |
| 1932 | Air Mail Film | Director of Photography |
| 1932 | Seitenwege des Lebens Film | Director of Photography |
| 1932 | Scandal for Sale Film | Director of Photography |
| 1932 | Mord in der Rue Morgue Film | Director of Photography |