8.1
영화
촬영
Karl Freund
- 출생
- 사망
- (나이 79세)
- 출생지
- Königinhof, Bohemia, Czech Republic
- 크레딧
- 작품 138개
약력
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
대표작
대표작
출연작 3
| 연도 | 제목 | 역할 |
|---|---|---|
| 1951 | Deutscher Filmpreis TV | Self (1개 에피소드) |
| 1941 | You Can't Fool a Camera 영화 | Himself |
| 1924 | 미카엘 영화 | LeBlanc - Art Dealer |
제작진 크레딧 136
| 연도 | 제목 | 직책 |
|---|---|---|
| 1960 | The Golem 영화 | Director of Photography |
| 1953 | I Love Lucy: The Movie 영화 | Director of Photography |
| 1950 | Bright Leaf 영화 | Director of Photography |
| 1950 | Montana 영화 | Director of Photography |
| 1949 | South of St. Louis 영화 | Director of Photography |
| 1948 | The Decision of Christopher Blake 영화 | Director of Photography |
| 1948 | 키 라르고 영화 | Director of Photography |
| 1948 | Wallflower 영화 | Director of Photography |
| 1947 | That Hagen Girl 영화 | Director of Photography |
| 1947 | This Time for Keeps 영화 | Director of Photography |
| 1946 | Undercurrent 영화 | Director of Photography |
| 1946 | A Letter for Evie 영화 | Director of Photography |
| 1946 | Two Smart People 영화 | Director of Photography |
| 1945 | Dangerous Partners 영화 | Director of Photography |
| 1945 | Without Love 영화 | Director of Photography |
| 1944 | The Thin Man Goes Home 영화 | Director of Photography |
| 1944 | 제7의 십자가 영화 | Director of Photography |
| 1944 | 조라는 이름의 사나이 영화 | Director of Photography |
| 1943 | Cry 'Havoc' 영화 | Director of Photography |
| 1943 | Du Barry Was a Lady 영화 | Director of Photography |
| 1942 | A Yank at Eton 영화 | Director of Photography |
| 1942 | The War Against Mrs. Hadley 영화 | Director of Photography |
| 1942 | The Affairs of Martha 영화 | Director of Photography |
| 1942 | Tortilla Flat 영화 | Director of Photography |
| 1941 | The Chocolate Soldier 영화 | Director of Photography |
| 1941 | Blossoms in the Dust 영화 | Director of Photography |
| 1940 | Comrade X 영화 | Camera Operator |
| 1940 | 오만과 편견 영화 | Director of Photography |
| 1940 | We Who Are Young 영화 | Director of Photography |
| 1940 | Florian 영화 | Director of Photography |
| 1940 | Green Hell 영화 | Director of Photography |
| 1940 | The Earl of Chicago 영화 | Director of Photography |
| 1939 | Balalaika 영화 | Director of Photography |
| 1939 | Barricade 영화 | Director of Photography |
| 1939 | Golden Boy 영화 | Director of Photography |
| 1939 | Rose of Washington Square 영화 | Director of Photography |
| 1939 | Tail Spin 영화 | Director of Photography |
| 1938 | Letter of Introduction 영화 | Director of Photography |
| 1938 | Port of Seven Seas 영화 | Director of Photography |
| 1938 | Three Comrades 영화 | Director of Photography |
| 1938 | Man-Proof 영화 | Director of Photography |
| 1937 | 정복자 영화 | Director of Photography |
| 1937 | Parnell 영화 | Director of Photography |
| 1937 | 대지 영화 | Director of Photography |
| 1936 | 춘희 영화 | Director of Photography |
| 1936 | 위대한 지그펠드 영화 | Director of Photography |
| 1935 | Mad Love 영화 | Director |
| 1934 | Gift of Gab 영화 | Director |
| 1934 | I Give My Love 영화 | Director |
| 1934 | Uncertain Lady 영화 | Director |
| 1934 | The Countess of Monte Cristo 영화 | Director |
| 1934 | Madame Spy 영화 | Director |
| 1933 | Moonlight and Pretzels 영화 | Director |
| 1933 | The Kiss Before the Mirror 영화 | Director of Photography |
| 1932 | 미이라 영화 | Director |
| 1932 | Afraid to Talk 영화 | Director of Photography |
| 1932 | 에어 메일 영화 | Director of Photography |
| 1932 | Back Street 영화 | Director of Photography |
| 1932 | Scandal for Sale 영화 | Director of Photography |
| 1932 | 모르그가의 살인사건 영화 | Director of Photography |