8.1
Film
Reparto riprese
Karl Freund
- Nascita
- Deceduto/a
- (età 79)
- Luogo di nascita
- Königinhof, Bohemia, Czech Republic
- Crediti
- 138 titoli
Biografia
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Opera più nota
Conosciuto/a per
8.1
Film
7.2
Film
Dracula
7.8
Film
All'ovest niente di nuovo
6.7
Film
La mummia
7.5
Film
L'isola di corallo
7.8
Film
L'ultima risata
7.0
Film
Il Golem - L'uomo d'argilla
6.9
Film
Orgoglio e pregiudizio
7.0
Film
Margherita Gauthier
6.3
Film
Il paradiso delle fanciulle
6.0
Film
Il dottor Miracolo
7.5
Film
Berlino - sinfonia di una grande città
7.0
Film
Amore folle
7.1
Film
L'uomo ombra torna a casa
6.3
Film
La buona terra
7.2
Film
Tartufo
6.4
Film
Desiderio del cuore
6.7
Film
Joe il pilota
Filmografia 3
| Anno | Titolo | Ruolo |
|---|---|---|
| 1951 | Deutscher Filmpreis TV | Self (1 ep) |
| 1941 | You Can't Fool a Camera Film | Himself |
| 1924 | Desiderio del cuore Film | LeBlanc - Art Dealer |
Crediti cast tecnico 136
| Anno | Titolo | Ruolo |
|---|---|---|
| 1960 | The Golem Film | Director of Photography |
| 1953 | I Love Lucy: The Movie Film | Director of Photography |
| 1950 | Le foglie d'oro Film | Director of Photography |
| 1950 | Più forte dell'odio Film | Director of Photography |
| 1949 | Il ranch delle tre campane Film | Director of Photography |
| 1948 | The Decision of Christopher Blake Film | Director of Photography |
| 1948 | L'isola di corallo Film | Director of Photography |
| 1948 | Wallflower Film | Director of Photography |
| 1947 | Età inquieta Film | Director of Photography |
| 1947 | Ti avrò per sempre Film | Director of Photography |
| 1946 | Tragico segreto Film | Director of Photography |
| 1946 | A Letter for Evie Film | Director of Photography |
| 1946 | La taverna dei quattro venti Film | Director of Photography |
| 1945 | Dangerous Partners Film | Director of Photography |
| 1945 | Senza amore Film | Director of Photography |
| 1944 | L'uomo ombra torna a casa Film | Director of Photography |
| 1944 | La settima croce Film | Director of Photography |
| 1944 | Joe il pilota Film | Director of Photography |
| 1943 | Cry 'Havoc' Film | Director of Photography |
| 1943 | Mademoiselle du Barry Film | Director of Photography |
| 1942 | Un americano a Eton Film | Director of Photography |
| 1942 | The War Against Mrs. Hadley Film | Director of Photography |
| 1942 | The Affairs of Martha Film | Director of Photography |
| 1942 | Gente allegra Film | Director of Photography |
| 1941 | The Chocolate Soldier Film | Director of Photography |
| 1941 | Fiori nella polvere Film | Director of Photography |
| 1940 | Corrispondente X Film | Camera Operator |
| 1940 | Orgoglio e pregiudizio Film | Director of Photography |
| 1940 | We Who Are Young Film | Director of Photography |
| 1940 | Lo stalliere e la granduchessa Film | Director of Photography |
| 1940 | Inferno verde Film | Director of Photography |
| 1940 | The Earl of Chicago Film | Director of Photography |
| 1939 | Balalaika Film | Director of Photography |
| 1939 | Barricade Film | Director of Photography |
| 1939 | Passione Film | Director of Photography |
| 1939 | La rosa di Washington Film | Director of Photography |
| 1939 | Tail Spin Film | Director of Photography |
| 1938 | Letter of Introduction Film | Director of Photography |
| 1938 | Port of Seven Seas Film | Director of Photography |
| 1938 | Tre camerati Film | Director of Photography |
| 1938 | Man-Proof Film | Director of Photography |
| 1937 | Maria Walewska Film | Director of Photography |
| 1937 | Parnell Film | Director of Photography |
| 1937 | La buona terra Film | Director of Photography |
| 1936 | Margherita Gauthier Film | Director of Photography |
| 1936 | Il paradiso delle fanciulle Film | Director of Photography |
| 1935 | Amore folle Film | Director |
| 1934 | Gift of Gab Film | Director |
| 1934 | I Give My Love Film | Director |
| 1934 | Uncertain Lady Film | Director |
| 1934 | La contessa X Film | Director |
| 1934 | La spia B Film | Director |
| 1933 | Moonlight and Pretzels Film | Director |
| 1933 | Il bacio davanti allo specchio Film | Director of Photography |
| 1932 | La mummia Film | Director |
| 1932 | Afraid to Talk Film | Director of Photography |
| 1932 | Air Mail Film | Director of Photography |
| 1932 | La donna proibita Film | Director of Photography |
| 1932 | Scandal for Sale Film | Director of Photography |
| 1932 | Il dottor Miracolo Film | Director of Photography |