8.1
Film
Caméra
Karl Freund
- Né(e)
- Décès
- (âgé(e) de 79 ans)
- Lieu de naissance
- Königinhof, Bohemia, Czech Republic
- Crédits
- 138 titres
Biographie
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Œuvres majeures
Connu pour
8.1
Film
7.2
Film
Dracula
7.8
Film
À l'ouest, rien de nouveau
6.7
Film
La Momie
7.5
Film
Key Largo
7.8
Film
Le Dernier des hommes
7.0
Film
Le Golem
7.0
Film
Le Roman de Marguerite Gautier
6.9
Film
Orgueil et préjugés
6.0
Film
Double Assassinat dans la rue Morgue
6.3
Film
Le Grand Ziegfeld
7.5
Film
Berlin, symphonie d'une grande ville
7.0
Film
Les mains d'Orlac
7.1
Film
L'introuvable rentre chez lui
6.3
Film
Visages d'Orient
7.2
Film
Tartuffe
6.4
Film
Michael
6.7
Film
Un nommé Joe
Crédits d'interprétation 3
| Année | Titre | Rôle |
|---|---|---|
| 1951 | Deutscher Filmpreis Séries TV | Self (1 ép.) |
| 1941 | You Can't Fool a Camera Film | Himself |
| 1924 | Michael Film | LeBlanc - Art Dealer |
Équipe technique 136
| Année | Titre | Poste |
|---|---|---|
| 1960 | The Golem Film | Director of Photography |
| 1953 | I Love Lucy: The Movie Film | Director of Photography |
| 1950 | Le Roi du Tabac Film | Director of Photography |
| 1950 | Montana Film | Director of Photography |
| 1949 | Les chevaliers du Texas Film | Director of Photography |
| 1948 | The Decision of Christopher Blake Film | Director of Photography |
| 1948 | Key Largo Film | Director of Photography |
| 1948 | Wallflower Film | Director of Photography |
| 1947 | That Hagen Girl Film | Director of Photography |
| 1947 | Le souvenir de vos lèvres Film | Director of Photography |
| 1946 | Lame de fond Film | Director of Photography |
| 1946 | A Letter for Evie Film | Director of Photography |
| 1946 | Two Smart People Film | Director of Photography |
| 1945 | Dangerous Partners Film | Director of Photography |
| 1945 | Sans amour Film | Director of Photography |
| 1944 | L'introuvable rentre chez lui Film | Director of Photography |
| 1944 | La septième croix Film | Director of Photography |
| 1944 | Un nommé Joe Film | Director of Photography |
| 1943 | Cry 'Havoc' Film | Director of Photography |
| 1943 | La du Barry était une dame Film | Director of Photography |
| 1942 | A Yank at Eton Film | Director of Photography |
| 1942 | The War Against Mrs. Hadley Film | Director of Photography |
| 1942 | The Affairs of Martha Film | Director of Photography |
| 1942 | Tortilla Flat Film | Director of Photography |
| 1941 | The Chocolate Soldier Film | Director of Photography |
| 1941 | Les Oubliés Film | Director of Photography |
| 1940 | Camarade X Film | Camera Operator |
| 1940 | Orgueil et préjugés Film | Director of Photography |
| 1940 | We Who Are Young Film | Director of Photography |
| 1940 | Florian Film | Director of Photography |
| 1940 | L'Enfer vert Film | Director of Photography |
| 1940 | Le Gangster de Chicago Film | Director of Photography |
| 1939 | Balalaika Film | Director of Photography |
| 1939 | Barricade Film | Director of Photography |
| 1939 | Golden Boy Film | Director of Photography |
| 1939 | Rose of Washington Square Film | Director of Photography |
| 1939 | Tail Spin Film | Director of Photography |
| 1938 | Letter of Introduction Film | Director of Photography |
| 1938 | Le Port des sept mers Film | Director of Photography |
| 1938 | Trois camarades Film | Director of Photography |
| 1938 | Man-Proof Film | Director of Photography |
| 1937 | Marie Walewska Film | Director of Photography |
| 1937 | Parnell Film | Director of Photography |
| 1937 | Visages d'Orient Film | Director of Photography |
| 1936 | Le Roman de Marguerite Gautier Film | Director of Photography |
| 1936 | Le Grand Ziegfeld Film | Director of Photography |
| 1935 | Les mains d'Orlac Film | Director |
| 1934 | Gift of Gab Film | Director |
| 1934 | I Give My Love Film | Director |
| 1934 | Uncertain Lady Film | Director |
| 1934 | The Countess of Monte Cristo Film | Director |
| 1934 | Madame Spy Film | Director |
| 1933 | Moonlight and Pretzels Film | Director |
| 1933 | Le baiser devant le miroir Film | Director of Photography |
| 1932 | La Momie Film | Director |
| 1932 | Afraid to Talk Film | Director of Photography |
| 1932 | Tête brûlée Film | Director of Photography |
| 1932 | Back Street Film | Director of Photography |
| 1932 | Scandal for Sale Film | Director of Photography |
| 1932 | Double Assassinat dans la rue Morgue Film | Director of Photography |