8.1
فلم
کیمرا
Karl Freund
- پیدائش
- وفات
- (عمر 79 سال)
- جائے پیدائش
- Königinhof, Bohemia, Czech Republic
- کریڈٹس
- 138 ٹائٹلز
سوانح حیات
From Wikipedia, the free encyclopedia.
Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).
In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.
Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".
Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
نمایاں کام
وجہ شہرت
8.1
فلم
7.2
فلم
Dracula
7.8
فلم
All Quiet on the Western Front
6.7
فلم
The Mummy
7.5
فلم
Key Largo
7.8
فلم
Der letzte Mann
7.0
فلم
Der Golem, wie er in die Welt kam
6.9
فلم
Pride and Prejudice
6.9
فلم
Camille
6.3
فلم
The Great Ziegfeld
6.0
فلم
Murders in the Rue Morgue
7.5
فلم
Berlin, Die Sinfonie der Großstadt
7.0
فلم
Mad Love
7.1
فلم
The Thin Man Goes Home
6.3
فلم
The Good Earth
7.2
فلم
Herr Tartüff
6.4
فلم
Michael
6.7
فلم
A Guy Named Joe
اداکاری کے کریڈٹس 3
| سال | عنوان | کردار |
|---|---|---|
| 1951 | Deutscher Filmpreis ٹی وی | Self (1 اقساط) |
| 1941 | You Can't Fool a Camera فلم | Himself |
| 1924 | Michael فلم | LeBlanc - Art Dealer |
کرو کریڈٹس 136
| سال | عنوان | عہدہ |
|---|---|---|
| 1960 | The Golem فلم | Director of Photography |
| 1953 | I Love Lucy: The Movie فلم | Director of Photography |
| 1950 | Bright Leaf فلم | Director of Photography |
| 1950 | Montana فلم | Director of Photography |
| 1949 | South of St. Louis فلم | Director of Photography |
| 1948 | The Decision of Christopher Blake فلم | Director of Photography |
| 1948 | Key Largo فلم | Director of Photography |
| 1948 | Wallflower فلم | Director of Photography |
| 1947 | That Hagen Girl فلم | Director of Photography |
| 1947 | This Time for Keeps فلم | Director of Photography |
| 1946 | Undercurrent فلم | Director of Photography |
| 1946 | A Letter for Evie فلم | Director of Photography |
| 1946 | Two Smart People فلم | Director of Photography |
| 1945 | Dangerous Partners فلم | Director of Photography |
| 1945 | Without Love فلم | Director of Photography |
| 1944 | The Thin Man Goes Home فلم | Director of Photography |
| 1944 | The Seventh Cross فلم | Director of Photography |
| 1944 | A Guy Named Joe فلم | Director of Photography |
| 1943 | Cry 'Havoc' فلم | Director of Photography |
| 1943 | Du Barry Was a Lady فلم | Director of Photography |
| 1942 | A Yank at Eton فلم | Director of Photography |
| 1942 | The War Against Mrs. Hadley فلم | Director of Photography |
| 1942 | The Affairs of Martha فلم | Director of Photography |
| 1942 | Tortilla Flat فلم | Director of Photography |
| 1941 | The Chocolate Soldier فلم | Director of Photography |
| 1941 | Blossoms in the Dust فلم | Director of Photography |
| 1940 | Comrade X فلم | Camera Operator |
| 1940 | Pride and Prejudice فلم | Director of Photography |
| 1940 | We Who Are Young فلم | Director of Photography |
| 1940 | Florian فلم | Director of Photography |
| 1940 | Green Hell فلم | Director of Photography |
| 1940 | The Earl of Chicago فلم | Director of Photography |
| 1939 | Balalaika فلم | Director of Photography |
| 1939 | Barricade فلم | Director of Photography |
| 1939 | Golden Boy فلم | Director of Photography |
| 1939 | Rose of Washington Square فلم | Director of Photography |
| 1939 | Tail Spin فلم | Director of Photography |
| 1938 | Letter of Introduction فلم | Director of Photography |
| 1938 | Port of Seven Seas فلم | Director of Photography |
| 1938 | Three Comrades فلم | Director of Photography |
| 1938 | Man-Proof فلم | Director of Photography |
| 1937 | Conquest فلم | Director of Photography |
| 1937 | Parnell فلم | Director of Photography |
| 1937 | The Good Earth فلم | Director of Photography |
| 1936 | Camille فلم | Director of Photography |
| 1936 | The Great Ziegfeld فلم | Director of Photography |
| 1935 | Mad Love فلم | Director |
| 1934 | Gift of Gab فلم | Director |
| 1934 | I Give My Love فلم | Director |
| 1934 | Uncertain Lady فلم | Director |
| 1934 | The Countess of Monte Cristo فلم | Director |
| 1934 | Madame Spy فلم | Director |
| 1933 | Moonlight and Pretzels فلم | Director |
| 1933 | The Kiss Before the Mirror فلم | Director of Photography |
| 1932 | The Mummy فلم | Director |
| 1932 | Afraid to Talk فلم | Director of Photography |
| 1932 | Air Mail فلم | Director of Photography |
| 1932 | Back Street فلم | Director of Photography |
| 1932 | Scandal for Sale فلم | Director of Photography |
| 1932 | Murders in the Rue Morgue فلم | Director of Photography |