7.5
Film
Manus
H.M. Walker
- Född
- Avled
- (ålder 58)
- Födelseort
- West Middlebury, Ohio, USA
- Medverkande
- 194 titlar
Biografi
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
Kända verk
Känd för
7.5
Film
6.7
Film
Affär är affär
6.4
Film
In igen och ut igen!
6.8
Film
Vänligt bemötande
7.3
Film
Ungkarlshippa
7.0
Film
Uppåt väggarna
7.5
Film
Hälsokuren
6.8
Film
Här vilar inga lessamheter
6.9
Film
Helan och Halvan i Villa Villervallan
6.8
Film
Helan och Halvan i Familjeidyll
6.6
Film
Helan och Halvan som gatans trubadurer
6.8
Film
Alla tiders hjältar
6.9
Film
Leve friheten
6.8
Film
Helan och Halvan i sovkupé
6.9
Film
Arvingar sökes
6.9
Film
Här skall fajtas
6.6
Film
Helan och Halvans förflutna
7.0
Film
Hjärtligt ovälkomna
Teammedverkande 194
| År | Titel | Yrke |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) Film | Writer |
| 1935 | Public Ghost # 1 Film | Writer |
| 1934 | Hälsokuren Film | Writer |
| 1934 | Love Birds Film | Additional Dialogue |
| 1933 | Her First Mate Film | Screenplay |
| 1933 | They Just Had to Get Married Film | Screenplay |
| 1932 | Girl Grief Film | Dialogue |
| 1932 | Alum and Eve Film | Dialogue |
| 1932 | Här vilar inga lessamheter Film | Writer |
| 1932 | På nattkröken Film | Writer, Dialogue |
| 1932 | Young Ironsides Film | Dialogue |
| 1932 | Show Business Film | Dialogue |
| 1932 | What Price Taxi Film | Dialogue, Writer |
| 1932 | Vänligt bemötande Film | Writer, Dialogue |
| 1932 | The Pooch Film | Writer |
| 1932 | The Old Bull Film | Dialogue |
| 1932 | First in War Film | Dialogue |
| 1932 | Apkonster och kärlek Film | Writer |
| 1932 | Choo-Choo! Film | Writer |
| 1932 | Strictly Unreliable Film | Writer |
| 1932 | In Walked Charley Film | Writer |
| 1932 | Pianoexpressen Film | Writer, Dialogue |
| 1932 | You're Telling Me Film | Dialogue |
| 1932 | Spanky Film | Writer |
| 1932 | Red Noses Film | Dialogue |
| 1932 | The Nickel Nurser Film | Writer |
| 1932 | Två käcka sjömän Film | Writer |
| 1932 | Free Eats Film | Writer |
| 1932 | The Tabasco Kid Film | Writer |
| 1932 | Ungkarlshippa Film | Dialogue |
| 1931 | On the Loose Film | Writer |
| 1931 | Hasty Marriage Film | Dialogue |
| 1931 | Alla tiders hjältar Film | Writer |
| 1931 | War Mamas Film | Dialogue |
| 1931 | What a Bozo! Film | Dialogue |
| 1931 | Helan och Halvan som dörrknackare Film | Dialogue |
| 1931 | Shiver My Timbers Film | Writer |
| 1931 | The Pajama Party Film | Dialogue |
| 1931 | Skip the Maloo! Film | Dialogue |
| 1931 | Objudna gäster Film | Dialogue |
| 1931 | Call a Cop! Film | Dialogue |
| 1931 | Catch-As Catch-Can Film | Dialogue |
| 1931 | In igen och ut igen! Film | Dialogue |
| 1931 | Let's Do Things Film | Dialogue |
| 1931 | One of the Smiths Film | Dialogue |
| 1931 | Spuk um Mitternacht Film | Writer |
| 1931 | Bröllopsdagen Film | Dialogue |
| 1931 | Politiquerías Film | Writer |
| 1931 | Rough Seas Film | Dialogue |
| 1931 | Monerías Film | Writer |
| 1931 | Little Daddy Film | Writer |
| 1931 | El alma de la fiesta Film | Dialogue |
| 1931 | Helan och Halvans förflutna Film | Dialogue |
| 1931 | Love Business Film | Writer |
| 1931 | Klubbmiddag Film | Writer |
| 1931 | Les Carottiers Film | Writer |
| 1931 | Thundering Tenors Film | Dialogue |
| 1931 | Helping Grandma Film | Writer |
| 1930 | High C's Film | Dialogue |
| 1930 | Temps d'Hiver Film | Writer |