7.5
Film
Sceneggiatura
H.M. Walker
- Nascita
- Deceduto/a
- (età 58)
- Luogo di nascita
- West Middlebury, Ohio, USA
- Crediti
- 194 titoli
Biografia
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
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Conosciuto/a per
7.5
Film
6.7
Film
Affari in grande
6.4
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Muraglie
6.8
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Ospedale di contea
7.3
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Tutto in ordine
7.0
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Un marito servizievole
7.5
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Vita in campagna
6.8
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Il compagno B
6.9
Film
Un nuovo imbroglio
6.8
Film
I monelli
6.6
Film
Sottozero
6.8
Film
I due legionari
6.9
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Libertà
6.8
Film
Concerto di violoncello
6.9
Film
L'eredità (I vagabondi)
6.9
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La battaglia del secolo
6.6
Film
I polli tornano a casa
7.1
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Ospiti inattesi
Crediti cast tecnico 194
| Anno | Titolo | Ruolo |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) Film | Writer |
| 1935 | Public Ghost # 1 Film | Writer |
| 1934 | Vita in campagna Film | Writer |
| 1934 | Love Birds Film | Additional Dialogue |
| 1933 | Il suo ufficiale di marina Film | Screenplay |
| 1933 | They Just Had to Get Married Film | Screenplay |
| 1932 | Girl Grief Film | Dialogue |
| 1932 | Alum and Eve Film | Dialogue |
| 1932 | Il compagno B Film | Writer |
| 1932 | Ospiti inattesi Film | Writer, Dialogue |
| 1932 | Young Ironsides Film | Dialogue |
| 1932 | Show Business Film | Dialogue |
| 1932 | What Price Taxi Film | Dialogue, Writer |
| 1932 | Ospedale di contea Film | Writer, Dialogue |
| 1932 | Vita da cani Film | Writer |
| 1932 | The Old Bull Film | Dialogue |
| 1932 | First in War Film | Dialogue |
| 1932 | Il circo è fallito Film | Writer |
| 1932 | Ciuf Ciuf Film | Writer |
| 1932 | Strictly Unreliable Film | Writer |
| 1932 | In Walked Charley Film | Writer |
| 1932 | La scala musicale Film | Writer, Dialogue |
| 1932 | You're Telling Me Film | Dialogue |
| 1932 | La capanna dello zio Tom Film | Writer |
| 1932 | Red Noses Film | Dialogue |
| 1932 | The Nickel Nurser Film | Writer |
| 1932 | Pugno di ferro Film | Writer |
| 1932 | Neonati prodigio Film | Writer |
| 1932 | The Tabasco Kid Film | Writer |
| 1932 | Tutto in ordine Film | Dialogue |
| 1931 | On the Loose Film | Writer |
| 1931 | Hasty Marriage Film | Dialogue |
| 1931 | I due legionari Film | Writer |
| 1931 | War Mamas Film | Dialogue |
| 1931 | What a Bozo! Film | Dialogue |
| 1931 | Andiamo a lavorare Film | Dialogue |
| 1931 | All’arrembaggio Film | Writer |
| 1931 | The Pajama Party Film | Dialogue |
| 1931 | Skip the Maloo! Film | Dialogue |
| 1931 | Un salvataggio pericoloso Film | Dialogue |
| 1931 | Call a Cop! Film | Dialogue |
| 1931 | Catch-As Catch-Can Film | Dialogue |
| 1931 | Muraglie Film | Dialogue |
| 1931 | Let's Do Things Film | Dialogue |
| 1931 | One of the Smiths Film | Dialogue |
| 1931 | Spuk um Mitternacht Film | Writer |
| 1931 | La sposa rapita Film | Dialogue |
| 1931 | Politiquerías Film | Writer |
| 1931 | Rough Seas Film | Dialogue |
| 1931 | Monerías Film | Writer |
| 1931 | Festa d’addio Film | Writer |
| 1931 | El alma de la fiesta Film | Dialogue |
| 1931 | I polli tornano a casa Film | Dialogue |
| 1931 | Love Business Film | Writer |
| 1931 | La bugia Film | Writer |
| 1931 | Les Carottiers Film | Writer |
| 1931 | Thundering Tenors Film | Dialogue |
| 1931 | Helping Grandma Film | Writer |
| 1930 | High C's Film | Dialogue |
| 1930 | Temps d'Hiver Film | Writer |