7.5
فيلم
الكتابة
H.M. Walker
- تاريخ الميلاد
- تُوفي
- (العمر 58)
- مكان الميلاد
- West Middlebury, Ohio, USA
- حقوق العمل
- 194 عنواناً
السيرة الذاتية
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
أبرز الأعمال
معروف بـ
7.5
فيلم
6.7
فيلم
Big Business
6.4
فيلم
Pardon Us
6.8
فيلم
County Hospital
7.3
فيلم
Helpmates
7.0
فيلم
Hog Wild
7.5
فيلم
Them Thar Hills
6.8
فيلم
حزم مشاكلك
6.9
فيلم
Another Fine Mess
6.8
فيلم
Brats
6.6
فيلم
Below Zero
6.8
فيلم
Beau Hunks
6.9
فيلم
Liberty
6.8
فيلم
Berth Marks
6.9
فيلم
The Laurel-Hardy Murder Case
6.9
فيلم
The Battle of the Century
6.6
فيلم
Chickens Come Home
7.0
فيلم
Unaccustomed as We Are
صناع العمل 194
| السنة | العنوان | المهنة |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) فيلم | Writer |
| 1935 | Public Ghost # 1 فيلم | Writer |
| 1934 | Them Thar Hills فيلم | Writer |
| 1934 | Love Birds فيلم | Additional Dialogue |
| 1933 | Her First Mate فيلم | Screenplay |
| 1933 | They Just Had to Get Married فيلم | Screenplay |
| 1932 | Girl Grief فيلم | Dialogue |
| 1932 | Alum and Eve فيلم | Dialogue |
| 1932 | حزم مشاكلك فيلم | Writer |
| 1932 | Scram! فيلم | Writer, Dialogue |
| 1932 | Young Ironsides فيلم | Dialogue |
| 1932 | Show Business فيلم | Dialogue |
| 1932 | What Price Taxi فيلم | Dialogue, Writer |
| 1932 | County Hospital فيلم | Writer, Dialogue |
| 1932 | The Pooch فيلم | Writer |
| 1932 | The Old Bull فيلم | Dialogue |
| 1932 | First in War فيلم | Dialogue |
| 1932 | The Chimp فيلم | Writer |
| 1932 | Choo-Choo! فيلم | Writer |
| 1932 | Strictly Unreliable فيلم | Writer |
| 1932 | In Walked Charley فيلم | Writer |
| 1932 | The Music Box فيلم | Writer, Dialogue |
| 1932 | You're Telling Me فيلم | Dialogue |
| 1932 | Spanky فيلم | Writer |
| 1932 | Red Noses فيلم | Dialogue |
| 1932 | The Nickel Nurser فيلم | Writer |
| 1932 | أي ميناء قديم! فيلم | Writer |
| 1932 | Free Eats فيلم | Writer |
| 1932 | The Tabasco Kid فيلم | Writer |
| 1932 | Helpmates فيلم | Dialogue |
| 1931 | On the Loose فيلم | Writer |
| 1931 | Hasty Marriage فيلم | Dialogue |
| 1931 | Beau Hunks فيلم | Writer |
| 1931 | War Mamas فيلم | Dialogue |
| 1931 | What a Bozo! فيلم | Dialogue |
| 1931 | One Good Turn فيلم | Dialogue |
| 1931 | Shiver My Timbers فيلم | Writer |
| 1931 | The Pajama Party فيلم | Dialogue |
| 1931 | Skip the Maloo! فيلم | Dialogue |
| 1931 | Come Clean فيلم | Dialogue |
| 1931 | Call a Cop! فيلم | Dialogue |
| 1931 | Catch-As Catch-Can فيلم | Dialogue |
| 1931 | Pardon Us فيلم | Dialogue |
| 1931 | Let's Do Things فيلم | Dialogue |
| 1931 | One of the Smiths فيلم | Dialogue |
| 1931 | Spuk um Mitternacht فيلم | Writer |
| 1931 | Our Wife فيلم | Dialogue |
| 1931 | Politiquerías فيلم | Writer |
| 1931 | Rough Seas فيلم | Dialogue |
| 1931 | Monerías فيلم | Writer |
| 1931 | Little Daddy فيلم | Writer |
| 1931 | El alma de la fiesta فيلم | Dialogue |
| 1931 | Chickens Come Home فيلم | Dialogue |
| 1931 | Love Business فيلم | Writer |
| 1931 | Be Big! فيلم | Writer |
| 1931 | Les Carottiers فيلم | Writer |
| 1931 | Thundering Tenors فيلم | Dialogue |
| 1931 | Helping Grandma فيلم | Writer |
| 1930 | High C's فيلم | Dialogue |
| 1930 | Temps d'Hiver فيلم | Writer |