7.5
Filme
Roteiro
H.M. Walker
- Nascimento
- Falecimento
- (com 58 anos)
- Local de nascimento
- West Middlebury, Ohio, USA
- Créditos
- 194 títulos
Biografia
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
Obra principal
Conhecido(a) por
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Pardon Us
6.8
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Silêncio, Hospital!
7.3
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Helpmates
7.0
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Hog Wild
7.5
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O Poço de Pifão
6.8
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Procura-se um Avô
6.9
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Another Fine Mess
6.8
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Brats
6.6
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Below Zero
6.8
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Dois Birutas na Legião Estrangeira
6.9
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Liberty
6.8
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Berth Marks
6.9
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The Laurel-Hardy Murder Case
6.9
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The Battle of the Century
6.6
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Chickens Come Home
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Unaccustomed as We Are
Créditos da equipe técnica 194
| Ano | Título | Função |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) Filme | Writer |
| 1935 | Public Ghost # 1 Filme | Writer |
| 1934 | O Poço de Pifão Filme | Writer |
| 1934 | Paraíso das Surpresas Filme | Additional Dialogue |
| 1933 | Her First Mate Filme | Screenplay |
| 1933 | They Just Had to Get Married Filme | Screenplay |
| 1932 | Girl Grief Filme | Dialogue |
| 1932 | Alum and Eve Filme | Dialogue |
| 1932 | Procura-se um Avô Filme | Writer |
| 1932 | Scram! Filme | Writer, Dialogue |
| 1932 | Young Ironsides Filme | Dialogue |
| 1932 | Show Business Filme | Dialogue |
| 1932 | What Price Taxi Filme | Dialogue, Writer |
| 1932 | Silêncio, Hospital! Filme | Writer, Dialogue |
| 1932 | The Pooch Filme | Writer |
| 1932 | The Old Bull Filme | Dialogue |
| 1932 | First in War Filme | Dialogue |
| 1932 | The Chimp Filme | Writer |
| 1932 | Choo-Choo! Filme | Writer |
| 1932 | Strictly Unreliable Filme | Writer |
| 1932 | In Walked Charley Filme | Writer |
| 1932 | Entrega a Domicílio Filme | Writer, Dialogue |
| 1932 | You're Telling Me Filme | Dialogue |
| 1932 | Spanky Filme | Writer |
| 1932 | Red Noses Filme | Dialogue |
| 1932 | The Nickel Nurser Filme | Writer |
| 1932 | Any Old Port! Filme | Writer |
| 1932 | Free Eats Filme | Writer |
| 1932 | The Tabasco Kid Filme | Writer |
| 1932 | Helpmates Filme | Dialogue |
| 1931 | On the Loose Filme | Writer |
| 1931 | Hasty Marriage Filme | Dialogue |
| 1931 | Dois Birutas na Legião Estrangeira Filme | Writer |
| 1931 | War Mamas Filme | Dialogue |
| 1931 | What a Bozo! Filme | Dialogue |
| 1931 | One Good Turn Filme | Dialogue |
| 1931 | Shiver My Timbers Filme | Writer |
| 1931 | The Pajama Party Filme | Dialogue |
| 1931 | Skip the Maloo! Filme | Dialogue |
| 1931 | Come Clean Filme | Dialogue |
| 1931 | Call a Cop! Filme | Dialogue |
| 1931 | Catch-As Catch-Can Filme | Dialogue |
| 1931 | Pardon Us Filme | Dialogue |
| 1931 | Let's Do Things Filme | Dialogue |
| 1931 | One of the Smiths Filme | Dialogue |
| 1931 | Spuk um Mitternacht Filme | Writer |
| 1931 | Our Wife Filme | Dialogue |
| 1931 | Politiquerías Filme | Writer |
| 1931 | Rough Seas Filme | Dialogue |
| 1931 | Monerías Filme | Writer |
| 1931 | Little Daddy Filme | Writer |
| 1931 | El alma de la fiesta Filme | Dialogue |
| 1931 | Chickens Come Home Filme | Dialogue |
| 1931 | Love Business Filme | Writer |
| 1931 | Be Big! Filme | Writer |
| 1931 | Les Carottiers Filme | Writer |
| 1931 | Thundering Tenors Filme | Dialogue |
| 1931 | Helping Grandma Filme | Writer |
| 1930 | High C's Filme | Dialogue |
| 1930 | Temps d'Hiver Filme | Writer |