7.5
映画
脚本
H.M. Walker
- 生年月日
- 没年月日
- (58歳)
- 出身地
- West Middlebury, Ohio, USA
- クレジット
- 194作品
経歴
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
代表作
代表作
7.5
映画
6.7
映画
Big Business
6.4
映画
極楽二人組
6.8
映画
County Hospital
7.3
映画
Helpmates
7.0
映画
Hog Wild
7.5
映画
Them Thar Hills
6.8
映画
Pack Up Your Troubles
6.9
映画
Another Fine Mess
6.8
映画
Brats
6.6
映画
Below Zero
6.8
映画
Beau Hunks
6.9
映画
Liberty
6.8
映画
Berth Marks
6.9
映画
The Laurel-Hardy Murder Case
6.9
映画
The Battle of the Century
6.6
映画
Chickens Come Home
7.0
映画
Unaccustomed as We Are
スタッフクレジット 194
| 公開年 | タイトル | 職種 |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) 映画 | Writer |
| 1935 | Public Ghost # 1 映画 | Writer |
| 1934 | Them Thar Hills 映画 | Writer |
| 1934 | Love Birds 映画 | Additional Dialogue |
| 1933 | Her First Mate 映画 | Screenplay |
| 1933 | They Just Had to Get Married 映画 | Screenplay |
| 1932 | Girl Grief 映画 | Dialogue |
| 1932 | Alum and Eve 映画 | Dialogue |
| 1932 | Pack Up Your Troubles 映画 | Writer |
| 1932 | Scram! 映画 | Writer, Dialogue |
| 1932 | Young Ironsides 映画 | Dialogue |
| 1932 | Show Business 映画 | Dialogue |
| 1932 | What Price Taxi 映画 | Writer, Dialogue |
| 1932 | County Hospital 映画 | Writer, Dialogue |
| 1932 | The Pooch 映画 | Writer |
| 1932 | The Old Bull 映画 | Dialogue |
| 1932 | First in War 映画 | Dialogue |
| 1932 | The Chimp 映画 | Writer |
| 1932 | Choo-Choo! 映画 | Writer |
| 1932 | Strictly Unreliable 映画 | Writer |
| 1932 | In Walked Charley 映画 | Writer |
| 1932 | 極楽ピアノ騒動 映画 | Writer, Dialogue |
| 1932 | You're Telling Me 映画 | Dialogue |
| 1932 | Spanky 映画 | Writer |
| 1932 | Red Noses 映画 | Dialogue |
| 1932 | The Nickel Nurser 映画 | Writer |
| 1932 | Any Old Port! 映画 | Writer |
| 1932 | Free Eats 映画 | Writer |
| 1932 | The Tabasco Kid 映画 | Writer |
| 1932 | Helpmates 映画 | Dialogue |
| 1931 | On the Loose 映画 | Writer |
| 1931 | Hasty Marriage 映画 | Dialogue |
| 1931 | Beau Hunks 映画 | Writer |
| 1931 | War Mamas 映画 | Dialogue |
| 1931 | What a Bozo! 映画 | Dialogue |
| 1931 | One Good Turn 映画 | Dialogue |
| 1931 | Shiver My Timbers 映画 | Writer |
| 1931 | The Pajama Party 映画 | Dialogue |
| 1931 | Skip the Maloo! 映画 | Dialogue |
| 1931 | Come Clean 映画 | Dialogue |
| 1931 | Call a Cop! 映画 | Dialogue |
| 1931 | Catch-As Catch-Can 映画 | Dialogue |
| 1931 | 極楽二人組 映画 | Dialogue |
| 1931 | Let's Do Things 映画 | Dialogue |
| 1931 | One of the Smiths 映画 | Dialogue |
| 1931 | Spuk um Mitternacht 映画 | Writer |
| 1931 | Our Wife 映画 | Dialogue |
| 1931 | Politiquerías 映画 | Writer |
| 1931 | Rough Seas 映画 | Dialogue |
| 1931 | Monerías 映画 | Writer |
| 1931 | Little Daddy 映画 | Writer |
| 1931 | El alma de la fiesta 映画 | Dialogue |
| 1931 | Chickens Come Home 映画 | Dialogue |
| 1931 | Love Business 映画 | Writer |
| 1931 | Be Big! 映画 | Writer |
| 1931 | Les Carottiers 映画 | Writer |
| 1931 | Thundering Tenors 映画 | Dialogue |
| 1931 | Helping Grandma 映画 | Writer |
| 1930 | High C's 映画 | Dialogue |
| 1930 | Temps d'Hiver 映画 | Writer |