H.M. Walker

Drehbuch

H.M. Walker

Geboren
Gestorben
(im Alter von 58)
Geburtsort
West Middlebury, Ohio, USA
Mitwirkende
194 Titel

Biografie

WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.

From Wikipedia, the free encyclopedia

Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.

On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.

Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).

Bekanntestes Werk

Bekannt für

Filmstab 194

JahrTitelTätigkeit
2025 Wonder Dogs! Canine Stars of the Silent Era (1898-1928) Film Writer
1935 Public Ghost # 1 Film Writer
1934 Dick und Doof - Selige Campingfreuden Film Writer
1934 Love Birds Film Additional Dialogue
1933 Her First Mate Film Screenplay
1933 They Just Had to Get Married Film Screenplay
1932 Girl Grief Film Dialogue
1932 Alum and Eve Film Dialogue
1932 Dick und Doof - Die Teufelsbrüder Film Writer
1932 Dick und Doof - Gelächter in der Nacht Film Writer, Dialogue
1932 Young Ironsides Film Dialogue
1932 Show Business Film Dialogue
1932 What Price Taxi Film Writer, Dialogue
1932 Dick und Doof im Krankenhaus Film Writer, Dialogue
1932 Pete und die Hundefänger Film Writer
1932 The Old Bull Film Dialogue
1932 First in War Film Dialogue
1932 Dick und Doof in der Manege Film Writer
1932 Choo-Choo! Film Writer
1932 Strictly Unreliable Film Writer
1932 In Walked Charley Film Writer
1932 Dick und Doof - Der zermürbende Klaviertransport Film Writer, Dialogue
1932 You're Telling Me Film Dialogue
1932 Spanky Film Writer
1932 Red Noses Film Dialogue
1932 The Nickel Nurser Film Writer
1932 Dick und Doof gehen vor Anker Film Writer
1932 Das Baby kann sprechen Film Writer
1932 The Tabasco Kid Film Writer
1932 Dick und Doof - Wir sitzen in der Klemme Film Dialogue
1931 On the Loose Film Writer
1931 Hasty Marriage Film Dialogue
1931 Dick und Doof in der Wüste Film Writer
1931 War Mamas Film Dialogue
1931 What a Bozo! Film Dialogue
1931 Dick und Doof als Retter in der Not Film Dialogue
1931 Eine wilde Seeräubergeschichte Film Writer
1931 The Pajama Party Film Dialogue
1931 Skip the Maloo! Film Dialogue
1931 Dick und Doof - In die Falle gelockt Film Dialogue
1931 Call a Cop! Film Dialogue
1931 Catch-As Catch-Can Film Dialogue
1931 Dick und Doof - Hinter Schloss und Riegel Film Dialogue
1931 Let's Do Things Film Dialogue
1931 One of the Smiths Film Dialogue
1931 Spuk um Mitternacht Film Writer
1931 Dick und Doof - Die Braut wird geklaut Film Dialogue
1931 Politiquerías Film Writer
1931 Rough Seas Film Dialogue
1931 Monerías Film Writer
1931 Little Daddy Film Writer
1931 El alma de la fiesta Film Dialogue
1931 Dick und Doof - Die Dame auf der Schulter Film Dialogue
1931 Verliebt in die Lehrerin Film Writer
1931 Dick und Doof - Die Qual mit den Stiefeln Film Writer
1931 Les Carottiers Film Writer
1931 Thundering Tenors Film Dialogue
1931 Tante-Emma-Laden in Gefahr Film Writer
1930 High C's Film Dialogue
1930 Temps d'Hiver Film Writer
ask2cinemadb fragen