7.5
Ταινία
Σενάριο
H.M. Walker
- Γεννήθηκε
- Απεβίωσε
- (ηλικίας 58)
- Τόπος γέννησης
- West Middlebury, Ohio, USA
- Συντελεστές
- 194 τίτλοι
Βιογραφία
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.
From Wikipedia, the free encyclopedia
Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.
Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
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Συντελεστές συνεργείου 194
| Έτος | Τίτλος | Αρμοδιότητα |
|---|---|---|
| 2025 | Wonder Dogs! Canine Stars of the Silent Era (1898-1928) Ταινία | Writer |
| 1935 | Public Ghost # 1 Ταινία | Writer |
| 1934 | Το πηγάδι της ευτυχίας Ταινία | Writer |
| 1934 | Love Birds Ταινία | Additional Dialogue |
| 1933 | Her First Mate Ταινία | Screenplay |
| 1933 | They Just Had to Get Married Ταινία | Screenplay |
| 1932 | Girl Grief Ταινία | Dialogue |
| 1932 | Alum and Eve Ταινία | Dialogue |
| 1932 | Ο Χοντρός και ο Λιγνός στον πόλεμο Ταινία | Writer |
| 1932 | Απρόσκλητοι επισκέπτες Ταινία | Writer, Dialogue |
| 1932 | Young Ironsides Ταινία | Dialogue |
| 1932 | Show Business Ταινία | Dialogue |
| 1932 | What Price Taxi Ταινία | Dialogue, Writer |
| 1932 | Επαρχιακό Νοσοκομείο Ταινία | Writer, Dialogue |
| 1932 | The Pooch Ταινία | Writer |
| 1932 | The Old Bull Ταινία | Dialogue |
| 1932 | First in War Ταινία | Dialogue |
| 1932 | The Chimp Ταινία | Writer |
| 1932 | Choo-Choo! Ταινία | Writer |
| 1932 | Strictly Unreliable Ταινία | Writer |
| 1932 | In Walked Charley Ταινία | Writer |
| 1932 | Το μουσικό κουτί Ταινία | Writer, Dialogue |
| 1932 | You're Telling Me Ταινία | Dialogue |
| 1932 | Spanky Ταινία | Writer |
| 1932 | Red Noses Ταινία | Dialogue |
| 1932 | The Nickel Nurser Ταινία | Writer |
| 1932 | Ο Λιγνός πυγμάχος Ταινία | Writer |
| 1932 | Free Eats Ταινία | Writer |
| 1932 | The Tabasco Kid Ταινία | Writer |
| 1932 | Οι ξένοιαστοι Ταινία | Dialogue |
| 1931 | On the Loose Ταινία | Writer |
| 1931 | Hasty Marriage Ταινία | Dialogue |
| 1931 | Οι ιππότες της ερήμου Ταινία | Writer |
| 1931 | War Mamas Ταινία | Dialogue |
| 1931 | What a Bozo! Ταινία | Dialogue |
| 1931 | One Good Turn Ταινία | Dialogue |
| 1931 | Shiver My Timbers Ταινία | Writer |
| 1931 | The Pajama Party Ταινία | Dialogue |
| 1931 | Skip the Maloo! Ταινία | Dialogue |
| 1931 | Επικίνδυνη διάσωση Ταινία | Dialogue |
| 1931 | Call a Cop! Ταινία | Dialogue |
| 1931 | Catch-As Catch-Can Ταινία | Dialogue |
| 1931 | Ο Χοντρός και ο Λιγνός στα Κάτεργα Ταινία | Dialogue |
| 1931 | Let's Do Things Ταινία | Dialogue |
| 1931 | One of the Smiths Ταινία | Dialogue |
| 1931 | Spuk um Mitternacht Ταινία | Writer |
| 1931 | Our Wife Ταινία | Dialogue |
| 1931 | Politiquerías Ταινία | Writer |
| 1931 | Rough Seas Ταινία | Dialogue |
| 1931 | Monerías Ταινία | Writer |
| 1931 | Little Daddy Ταινία | Writer |
| 1931 | El alma de la fiesta Ταινία | Dialogue |
| 1931 | Ο Χοντρός και ο Λιγνός Γυναικάδες Ταινία | Dialogue |
| 1931 | Love Business Ταινία | Writer |
| 1931 | Be Big! Ταινία | Writer |
| 1931 | Les Carottiers Ταινία | Writer |
| 1931 | Thundering Tenors Ταινία | Dialogue |
| 1931 | Helping Grandma Ταινία | Writer |
| 1930 | High C's Ταινία | Dialogue |
| 1930 | Temps d'Hiver Ταινία | Writer |