7.0
Movie
Camera
John Alton
- Born
- Died
- (aged 94)
- Birthplace
- Sopron, Austria-Hungary
- Credits
- 104 titles
Biography
John Alton A.S.C. (October 5, 1901 – June 2, 1996), born Johann Altmann, in Sopron/Ödenburg, Kingdom of Hungary, Austria-Hungary, was an American cinematographer. Alton won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so. He photographed some of the most famous film noirs of the classic period. He started out in Los Angeles as a lab technician in the 1920s, later becoming a cameraman within four years. He moved to France with Ernst Lubitsch to film backgrounds for The Student Prince in Old Heidelberg (1927) and ended up staying for one year heading the camera department of Paramount Pictures's Joinville Studios. In 1932 he moved to Argentina where he shot many Spanish-language films and designed the country's first sound film studio for Lumiton and Argentina Sono Film.
He returned to Hollywood in the late 1930s, with two dozen film credits, and became one of the most sought after cinematographers in American cinema.
Alton was known for unconventional camera angles—especially low camera shots. His style is most notable in the film noirs: He Walked by Night, The Big Combo, The Amazing Mr. X, T-Men, and Raw Deal.
Alton also photographed many color movies including Slightly Scarlet (a color film noir).
Signature work
Known For
7.0
Movie
7.5
Movie
Birdman of Alcatraz
7.6
TV
Mission: Impossible
7.0
Movie
Father of the Bride
7.3
Movie
Elmer Gantry
7.0
Movie
The Big Combo
6.7
Movie
Raw Deal
6.7
Movie
He Walked by Night
6.8
Movie
T-Men
6.7
Movie
Designing Woman
6.3
Movie
Witness to Murder
6.5
Movie
Father's Little Dividend
6.2
Movie
Silver Lode
6.8
Movie
Mystery Street
7.0
Movie
Tea and Sympathy
6.6
Movie
Hollow Triumph
6.8
Movie
Reign of Terror
6.9
Movie
Devil's Doorway
Acting credits 5
| Year | Title | Role |
|---|---|---|
| 2008 | 'S Wonderful: Creating An American in Paris Film | Self (archival footage) |
| 2007 | Mystery Street: Murder at Harvard Film | |
| 2006 | Film Noir: Bringing Darkness to Light Film | Self |
| 1998 | Glorious Technicolor Film | Self (archive footage) |
| 1995 | Dark and Deadly: Fifty Years of Film Noir Film | Self |
Crew credits 99
| Year | Title | Job |
|---|---|---|
| 1966 | Mission: Impossible TV | Director of Photography (1 ep) |
| 1962 | Birdman of Alcatraz Film | Director of Photography |
| 1960 | Elmer Gantry Film | Director of Photography |
| 1960 | 12 to the Moon Film | Director of Photography |
| 1959 | Lonelyhearts Film | Director of Photography |
| 1958 | The Brothers Karamazov Film | Director of Photography |
| 1957 | Designing Woman Film | Director of Photography |
| 1957 | The Teahouse of the August Moon Film | Director of Photography |
| 1956 | Tea and Sympathy Film | Director of Photography |
| 1956 | The Catered Affair Film | Director of Photography |
| 1956 | Slightly Scarlet Film | Director of Photography |
| 1955 | Tennessee's Partner Film | Director of Photography |
| 1955 | Pearl of the South Pacific Film | Director of Photography |
| 1955 | Escape to Burma Film | Director of Photography |
| 1955 | The Big Combo Film | Director of Photography |
| 1954 | The Steel Cage Film | Director of Photography |
| 1954 | Cattle Queen of Montana Film | Director of Photography |
| 1954 | Passion Film | Director of Photography |
| 1954 | Silver Lode Film | Director of Photography |
| 1954 | Witness to Murder Film | Director of Photography |
| 1954 | Duffy of San Quentin Film | Director of Photography |
| 1953 | Take the High Ground! Film | Director of Photography |
| 1953 | I, the Jury Film | Director of Photography |
| 1953 | Count the Hours! Film | Director of Photography |
| 1953 | Battle Circus Film | Cinematography |
| 1952 | Apache War Smoke Film | Director of Photography |
| 1952 | Washington Story Film | Director of Photography |
| 1952 | Talk About a Stranger Film | Director of Photography |
| 1951 | An American in Paris Film | Additional Photography |
| 1951 | The People Against O'Hara Film | Director of Photography |
| 1951 | Father's Little Dividend Film | Director of Photography |
| 1951 | Grounds for Marriage Film | Director of Photography |
| 1950 | Devil's Doorway Film | Director of Photography |
| 1950 | Mystery Street Film | Director of Photography |
| 1950 | Father of the Bride Film | Director of Photography |
| 1950 | Captain China Film | Director of Photography |
| 1949 | Border Incident Film | Director of Photography |
| 1949 | Reign of Terror Film | Director of Photography |
| 1949 | Red Stallion In The Rockies Film | Director of Photography |
| 1949 | The Crooked Way Film | Director of Photography |
| 1949 | He Walked by Night Film | Director of Photography |
| 1948 | Hollow Triumph Film | Director of Photography |
| 1948 | The Amazing Mr. X Film | Director of Photography |
| 1948 | Canon City Film | Director of Photography |
| 1948 | Raw Deal Film | Director of Photography |
| 1947 | T-Men Film | Director of Photography |
| 1947 | Bury Me Dead Film | Director of Photography |
| 1947 | Driftwood Film | Director of Photography |
| 1947 | The Pretender Film | Director of Photography |
| 1947 | The Ghost Goes Wild Film | Director of Photography |
| 1947 | Wyoming Film | Director of Photography |
| 1947 | The Trespasser Film | Director of Photography |
| 1947 | Hit Parade of 1947 Film | Cinematography |
| 1946 | Affairs of Geraldine Film | Director of Photography |
| 1946 | The Magnificent Rogue Film | Director of Photography |
| 1946 | One Exciting Week Film | Director of Photography |
| 1946 | The Madonna's Secret Film | Director of Photography |
| 1946 | A Guy Could Change Film | Director of Photography |
| 1945 | Song of Mexico Film | Director of Photography |
| 1945 | Girls of the Big House Film | Director of Photography |