7.0
Film
Kamera
John Alton
- Geboren
- Gestorben
- (im Alter von 94)
- Geburtsort
- Sopron, Austria-Hungary
- Mitwirkende
- 104 Titel
Biografie
John Alton A.S.C. (October 5, 1901 – June 2, 1996), born Johann Altmann, in Sopron/Ödenburg, Kingdom of Hungary, Austria-Hungary, was an American cinematographer. Alton won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so. He photographed some of the most famous film noirs of the classic period. He started out in Los Angeles as a lab technician in the 1920s, later becoming a cameraman within four years. He moved to France with Ernst Lubitsch to film backgrounds for The Student Prince in Old Heidelberg (1927) and ended up staying for one year heading the camera department of Paramount Pictures's Joinville Studios. In 1932 he moved to Argentina where he shot many Spanish-language films and designed the country's first sound film studio for Lumiton and Argentina Sono Film.
He returned to Hollywood in the late 1930s, with two dozen film credits, and became one of the most sought after cinematographers in American cinema.
Alton was known for unconventional camera angles—especially low camera shots. His style is most notable in the film noirs: He Walked by Night, The Big Combo, The Amazing Mr. X, T-Men, and Raw Deal.
Alton also photographed many color movies including Slightly Scarlet (a color film noir).
Bekanntestes Werk
Bekannt für
7.0
Film
7.5
Film
Der Gefangene von Alcatraz
7.6
TV
Kobra übernehmen Sie
7.0
Film
Vater der Braut
7.3
Film
Elmer Gantry
7.0
Film
Geheimring 99
6.7
Film
Flucht ohne Ausweg
6.7
Film
Schritte in der Nacht
6.8
Film
Geheimagent T
6.7
Film
Warum hab’ ich ja gesagt?
6.3
Film
Zeugin des Mordes
6.5
Film
Ein Geschenk des Himmels
6.2
Film
Stadt der Verdammten
6.8
Film
Die Tote in den Dünen
7.0
Film
Anders als die anderen
6.6
Film
Der Mann mit der Narbe
6.8
Film
Dämon in Paris
6.9
Film
Fluch des Blutes
Schauspielerische Mitwirkung 5
| Jahr | Titel | Rolle |
|---|---|---|
| 2008 | 'S Wonderful: Creating An American in Paris Film | Self (archival footage) |
| 2007 | Mystery Street: Murder at Harvard Film | |
| 2006 | Film Noir: Bringing Darkness to Light Film | Self |
| 1998 | Glorious Technicolor Film | Self (archive footage) |
| 1995 | Dark and Deadly: Fifty Years of Film Noir Film | Self |
Filmstab 99
| Jahr | Titel | Tätigkeit |
|---|---|---|
| 1966 | Kobra übernehmen Sie TV | Director of Photography (1 Ep.) |
| 1962 | Der Gefangene von Alcatraz Film | Director of Photography |
| 1960 | Elmer Gantry Film | Director of Photography |
| 1960 | 12 to the Moon Film | Director of Photography |
| 1959 | Das Leben ist Lüge Film | Director of Photography |
| 1958 | Die Brüder Karamasow Film | Director of Photography |
| 1957 | Warum hab’ ich ja gesagt? Film | Director of Photography |
| 1957 | Das kleine Teehaus Film | Director of Photography |
| 1956 | Anders als die anderen Film | Director of Photography |
| 1956 | Mädchen ohne Mitgift Film | Director of Photography |
| 1956 | Straße des Verbrechens Film | Director of Photography |
| 1955 | Todesfaust Film | Director of Photography |
| 1955 | Piratenblut Film | Director of Photography |
| 1955 | Flucht nach Burma Film | Director of Photography |
| 1955 | Geheimring 99 Film | Director of Photography |
| 1954 | The Steel Cage Film | Director of Photography |
| 1954 | Königin der Berge Film | Director of Photography |
| 1954 | Wo der Wind stirbt Film | Director of Photography |
| 1954 | Stadt der Verdammten Film | Director of Photography |
| 1954 | Zeugin des Mordes Film | Director of Photography |
| 1954 | Duffy of San Quentin Film | Director of Photography |
| 1953 | Sprung auf, marsch, marsch! Film | Director of Photography |
| 1953 | Der Richter bin ich Film | Director of Photography |
| 1953 | Die Nacht vor dem Galgen Film | Director of Photography |
| 1953 | Arzt im Zwielicht Film | Cinematography |
| 1952 | Apache War Smoke Film | Director of Photography |
| 1952 | Washington Story Film | Director of Photography |
| 1952 | Talk About a Stranger Film | Director of Photography |
| 1951 | Ein Amerikaner in Paris Film | Additional Photography |
| 1951 | Der Mordprozeß O'Hara Film | Director of Photography |
| 1951 | Ein Geschenk des Himmels Film | Director of Photography |
| 1951 | Mein Mann will heiraten Film | Director of Photography |
| 1950 | Fluch des Blutes Film | Director of Photography |
| 1950 | Die Tote in den Dünen Film | Director of Photography |
| 1950 | Vater der Braut Film | Director of Photography |
| 1950 | Käpt'n China Film | Director of Photography |
| 1949 | Tödliche Grenze Film | Director of Photography |
| 1949 | Dämon in Paris Film | Director of Photography |
| 1949 | Red Stallion In The Rockies Film | Director of Photography |
| 1949 | The Crooked Way Film | Director of Photography |
| 1949 | Schritte in der Nacht Film | Director of Photography |
| 1948 | Der Mann mit der Narbe Film | Director of Photography |
| 1948 | Der unheimliche Mr. X Film | Director of Photography |
| 1948 | Rebellion im grauen Haus Film | Director of Photography |
| 1948 | Flucht ohne Ausweg Film | Director of Photography |
| 1947 | Geheimagent T Film | Director of Photography |
| 1947 | Bury Me Dead Film | Director of Photography |
| 1947 | Driftwood Film | Director of Photography |
| 1947 | The Pretender Film | Director of Photography |
| 1947 | The Ghost Goes Wild Film | Director of Photography |
| 1947 | Hyänen der Prärie Film | Director of Photography |
| 1947 | The Trespasser Film | Director of Photography |
| 1947 | Hit Parade of 1947 Film | Cinematography |
| 1946 | Affairs of Geraldine Film | Director of Photography |
| 1946 | The Magnificent Rogue Film | Director of Photography |
| 1946 | One Exciting Week Film | Director of Photography |
| 1946 | The Madonna's Secret Film | Director of Photography |
| 1946 | A Guy Could Change Film | Director of Photography |
| 1945 | Song of Mexico Film | Director of Photography |
| 1945 | Girls of the Big House Film | Director of Photography |