8.4
Movie
Art
Arthur Max
- Born
- (age 80)
- Birthplace
- Manhattan, New York City, New York, USA
- Credits
- 27 titles
Biography
Arthur Max (born May 1, 1946) is an American production designer.
The native New Yorker began his career as a stage lighting designer in the music industry following graduation from New York University in the late 1960s. Those assignments included work at Bill Graham's famous music venue The Fillmore East in New York's East Village, and the historic Woodstock Festival of 1969. During the following decade, he designed concert lighting and festival stages for many rock and jazz artists. He was Pink Floyd's lighting designer during the bands' tours in the US and worldwide in the early-1970s. After studying architecture in England (earning degrees in the early-1980s from the Polytechnic of Central London and the Royal College of Art), Max went on to do several architectural design projects in London including an award-winning lighting design for the stage of St John's Concert Hall, a former 18th Century church in the centre of Smith Square, Westminster, London.
He entered the British film industry as an assistant to several English production designers. First for Stuart Craig on Hugh Hudson's "Greystoke: The Legend of Tarzan, Lord of the Apes" and "Cal" (both 1984), then for Ashetton Gorton on Hudson's "Revolution" the following year. He commenced his own production design career in TV commercials for ten years from 1985 to 1995 (for such clients as Pepsi, Nike, Jeep, Coke and Levi's), which led to his ongoing associations with directors Scott and Fincher.
Signature work
Known For
8.4
Movie
7.7
Movie
The Martian
8.2
Movie
Gladiator
6.6
Movie
Prometheus
7.4
Movie
Black Hawk Down
7.6
Movie
American Gangster
6.8
Movie
Panic Room
7.1
Movie
Kingdom of Heaven
6.4
Movie
Robin Hood
5.9
Movie
Exodus: Gods and Kings
6.6
Movie
Gladiator II
7.4
Movie
The Last Duel
6.6
Movie
House of Gucci
6.6
Movie
Body of Lies
6.3
Movie
Napoleon
6.5
Movie
All the Money in the World
5.3
Movie
The Counselor
6.5
Movie
G.I. Jane
Acting credits 9
| Year | Title | Role |
|---|---|---|
| 2015 | Keepers of the Covenant: Making 'Exodus: Gods and Kings' Film | Self |
| 2014 | Truth of the Situation: Making 'The Counselor' Film | Self |
| 2012 | The Furious Gods: Making Prometheus Film | Self |
| 2006 | The Path to Redemption Film | Self |
| 2005 | Ben-Hur: The Epic That Changed Cinema Film | Self |
| 2005 | Strength and Honor: Production Pods Film | Self |
| 2004 | Shooting 'Panic Room' Film | Self |
| 1997 | G.I. Jane Film | Barber |
| 1995 | Se7en Film | Man in Library (uncredited) |
Crew credits 20
| Year | Title | Job |
|---|---|---|
| 2024 | Gladiator II Film | Production Design |
| 2023 | Napoleon Film | Production Design |
| 2021 | House of Gucci Film | Production Design |
| 2021 | The Last Duel Film | Production Design |
| 2019 | The Last Vermeer Film | Art Direction, Production Design |
| 2017 | All the Money in the World Film | Production Design |
| 2015 | The Martian Film | Production Design |
| 2014 | Exodus: Gods and Kings Film | Production Design |
| 2013 | The Counselor Film | Production Design |
| 2012 | Prometheus Film | Production Design |
| 2010 | Robin Hood Film | Production Design |
| 2008 | Body of Lies Film | Production Design |
| 2007 | American Gangster Film | Production Design |
| 2005 | Kingdom of Heaven Film | Production Design |
| 2002 | Panic Room Film | Production Design |
| 2001 | Black Hawk Down Film | Production Design |
| 2000 | Gladiator Film | Production Design |
| 1997 | G.I. Jane Film | Production Design |
| 1995 | Se7en Film | Production Design |
| 1985 | Insignificance Film | Art Direction |