8.4
Film
Direction artistique
Arthur Max
- Né(e)
- (âge 80)
- Lieu de naissance
- Manhattan, New York City, New York, USA
- Crédits
- 27 titres
Biographie
Arthur Max (born May 1, 1946) is an American production designer.
The native New Yorker began his career as a stage lighting designer in the music industry following graduation from New York University in the late 1960s. Those assignments included work at Bill Graham's famous music venue The Fillmore East in New York's East Village, and the historic Woodstock Festival of 1969. During the following decade, he designed concert lighting and festival stages for many rock and jazz artists. He was Pink Floyd's lighting designer during the bands' tours in the US and worldwide in the early-1970s. After studying architecture in England (earning degrees in the early-1980s from the Polytechnic of Central London and the Royal College of Art), Max went on to do several architectural design projects in London including an award-winning lighting design for the stage of St John's Concert Hall, a former 18th Century church in the centre of Smith Square, Westminster, London.
He entered the British film industry as an assistant to several English production designers. First for Stuart Craig on Hugh Hudson's "Greystoke: The Legend of Tarzan, Lord of the Apes" and "Cal" (both 1984), then for Ashetton Gorton on Hudson's "Revolution" the following year. He commenced his own production design career in TV commercials for ten years from 1985 to 1995 (for such clients as Pepsi, Nike, Jeep, Coke and Levi's), which led to his ongoing associations with directors Scott and Fincher.
Œuvres majeures
Connu pour
8.4
Film
7.7
Film
Seul sur Mars
8.2
Film
Gladiator
6.6
Film
Prometheus
7.4
Film
La Chute du faucon noir
7.6
Film
American Gangster
6.8
Film
Panic Room
7.1
Film
Kingdom of Heaven
6.4
Film
Robin des Bois
5.9
Film
Exodus : Gods and Kings
6.6
Film
Gladiator II
7.4
Film
Le Dernier Duel
6.6
Film
House of Gucci
6.6
Film
Mensonges d'état
6.3
Film
Napoléon
6.5
Film
Tout l'Argent du Monde
5.3
Film
Cartel
6.5
Film
À armes égales
Crédits d'interprétation 9
| Année | Titre | Rôle |
|---|---|---|
| 2015 | Keepers of the Covenant: Making 'Exodus: Gods and Kings' Film | Self |
| 2014 | Truth of the Situation: Making 'The Counselor' Film | Self |
| 2012 | The Furious Gods: Making Prometheus Film | Self |
| 2006 | The Path to Redemption Film | Self |
| 2005 | Ben-Hur: The Epic That Changed Cinema Film | Self |
| 2005 | Strength and Honor: Production Pods Film | Self |
| 2004 | Shooting 'Panic Room' Film | Self |
| 1997 | À armes égales Film | Barber |
| 1995 | Seven Film | Man in Library (uncredited) |
Équipe technique 20
| Année | Titre | Poste |
|---|---|---|
| 2024 | Gladiator II Film | Production Design |
| 2023 | Napoléon Film | Production Design |
| 2021 | House of Gucci Film | Production Design |
| 2021 | Le Dernier Duel Film | Production Design |
| 2019 | Le Dernier Vermeer Film | Art Direction, Production Design |
| 2017 | Tout l'Argent du Monde Film | Production Design |
| 2015 | Seul sur Mars Film | Production Design |
| 2014 | Exodus : Gods and Kings Film | Production Design |
| 2013 | Cartel Film | Production Design |
| 2012 | Prometheus Film | Production Design |
| 2010 | Robin des Bois Film | Production Design |
| 2008 | Mensonges d'état Film | Production Design |
| 2007 | American Gangster Film | Production Design |
| 2005 | Kingdom of Heaven Film | Production Design |
| 2002 | Panic Room Film | Production Design |
| 2001 | La Chute du faucon noir Film | Production Design |
| 2000 | Gladiator Film | Production Design |
| 1997 | À armes égales Film | Production Design |
| 1995 | Seven Film | Production Design |
| 1985 | Une Nuit de Reflexion Film | Art Direction |