Film

শেষ উত্তর (1942)

• 22 Mart 1942
• 2 sa 8 dk

• Dram
• Komedi

Özet

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

Yönetmen

P.C. Barua

Başroller

Ratin Banerjee, P.C. Barua, Ahindra Choudhury