Film

শেষ উত্তর (1942)

• 22 marzo 1942
• 2h 8m

• Dramma
• Commedia

Trama

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

Regista

P.C. Barua

Con

Ratin Banerjee, P.C. Barua, Ahindra Choudhury