7.6
Movie
Camera
Néstor Almendros
- Born
- Died
- (aged 61)
- Birthplace
- Barcelona, Barcelona, Catalonia, Spain
- Credits
- 67 titles
Biography
Néstor Almendros Cuyás (30 October 1930 – 4 March 1992) was a Spanish cinematographer. One of the most highly appraised contemporary cinematographers, "Almendros was an artist of deep integrity, who believed the most beautiful light was natural light...he will always be remembered as a cinematographer of absolute truth...a true master of light".
Néstor Almendros Cuyás was born in Barcelona, Spain, but at 18 moved to Cuba to join his exiled anti-Francisco Franco father. In Havana, he wrote film reviews. Then he went on to study in Rome at the Centro Sperimentale di Cinematografia. He directed six shorts in Cuba and two in New York City.
After the 1959 Cuban Revolution, he returned and made several documentaries for the Castro regime. But after two of his shorts (Gente en la playa and La tumba francesa) were banned, he moved to Paris. Starting in 1964, he became the favorite collaborator of French New Wave director Éric Rohmer. In the early seventies he also started working with François Truffaut, Barbet Schroeder and other directors.
Almendros began his Hollywood career with Days of Heaven (1978), written and directed by Terrence Malick, who admired Almendros' work on The Wild Child (1970). Almendros was impressed by Malick's knowledge of photography and his willingness to use little studio lighting. The film's cinematography was modeled after silent films, which often used natural light. In 1979, Almendros won the Academy Award for Best Cinematography for Days of Heaven.
Almendros received three further Academy Award nominations for his work on Kramer vs. Kramer (1979), The Blue Lagoon (1980) and Sophie's Choice (1982), making him the most nominated Spanish person in Academy history as of the 93rd Academy Awards in 2021.
Almendros was the cinematographer for the John Lennon documentary, Imagine: John Lennon (1988), directed by Andrew Solt.
In his later years, Almendros co-directed two documentaries about the human rights situation in Cuba: Mauvaise Conduite (1984) (Improper Conduct) about the persecution of gay people in Cuba; and Nadie escuchaba (Nobody Was Listening), about the alleged arrest, imprisonment and torture of former comrades of Fidel Castro. He also shot several prestigious advertisements for Giorgio Armani (directed by Martin Scorsese), Calvin Klein (directed by Richard Avedon) and Freixenet.
Human Rights Watch International has named an award after him by establishing the Nestor Almendros Award for Courage in Filmmaking and it is given every year at the Human Rights Watch International Film Festival.
In 1980, Almendros won the César Award for François Truffaut's The Last Metro.
In 1992, Néstor Almendros died of AIDS-related lymphoma in New York City at the age of 61.
Source: Article "Néstor Almendros" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Signature work
Known For
7.6
Movie
6.1
Movie
The Blue Lagoon
7.5
Movie
Days of Heaven
7.3
Movie
Sophie's Choice
7.2
Movie
The Last Metro
6.2
Movie
New York Stories
7.6
Movie
My Night at Maud's
7.1
Movie
Bed and Board
7.1
Movie
The Wild Child
7.3
Movie
Claire's Knee
6.9
Movie
La Collectionneuse
7.0
Movie
Pauline at the Beach
5.8
Movie
Billy Bathgate
6.9
Movie
The Story of Adèle H.
7.1
Movie
Confidentially Yours
7.3
Movie
Love in the Afternoon
7.1
Movie
The Man Who Loved Women
6.0
Movie
Heartburn
Acting credits 9
| Year | Title | Role |
|---|---|---|
| 2009 | Working with François Truffaut: Nestor Almendros, Director of Photography Film | Self |
| 1992 | Visions of Light Film | Self |
| 1991 | A Movie Capital Film | Self |
| 1988 | Alekan, la lumière Film | Self |
| 1978 | The Green Room Film | |
| 1978 | Ciné regards TV | Self (2 ep) |
| 1978 | En répétant Perceval Film | |
| 1972 | Le Grand Échiquier TV | Self (1 ep) |
| 1967 | La Collectionneuse Film |
Crew credits 60
| Year | Title | Job |
|---|---|---|
| 1991 | Billy Bathgate Film | Director of Photography |
| 1990 | Made in Milan Film | Director of Photography |
| 1989 | New York Stories Film | Director of Photography |
| 1987 | Nadine Film | Director of Photography |
| 1987 | Nobody Listened Film | Director |
| 1986 | Heartburn Film | Director of Photography |
| 1984 | Places in the Heart Film | Director of Photography |
| 1984 | Improper Conduct Film | Director, Writer |
| 1983 | Confidentially Yours Film | Director of Photography |
| 1983 | Pauline at the Beach Film | Director of Photography |
| 1982 | Sophie's Choice Film | Director of Photography |
| 1982 | Still of the Night Film | Director of Photography |
| 1980 | The Last Metro Film | Director of Photography |
| 1980 | The Blue Lagoon Film | Director of Photography |
| 1979 | Kramer vs. Kramer Film | Director of Photography |
| 1979 | Love on the Run Film | Director of Photography |
| 1979 | Le Beau Mec Film | Director of Photography |
| 1978 | Koko: A Talking Gorilla Film | Director of Photography |
| 1978 | Perceval Film | Director of Photography |
| 1978 | Goin' South Film | Director of Photography |
| 1978 | Days of Heaven Film | Director of Photography |
| 1978 | The Green Room Film | Director of Photography |
| 1977 | Madame Rosa Film | Director of Photography |
| 1977 | The Man Who Loved Women Film | Director of Photography, Camera Operator |
| 1977 | Change of Sex Film | Director of Photography |
| 1977 | Entire Days in the Trees Film | Director of Photography |
| 1976 | The Marquise of O Film | Director of Photography |
| 1976 | Maîtresse Film | Director of Photography |
| 1975 | The Story of Adèle H. Film | Director of Photography |
| 1974 | My Little Loves Film | Director of Photography |
| 1974 | Cockfighter Film | Director of Photography |
| 1974 | General Idi Amin Dada Film | Director of Photography |
| 1974 | The Mouth Agape Film | Director of Photography |
| 1972 | Love in the Afternoon Film | Director of Photography |
| 1972 | The Valley Film | Director of Photography |
| 1971 | Two English Girls Film | Director of Photography |
| 1971 | Pork with Sweet Potatoes Film | Director of Photography |
| 1971 | Sing Sing Film | Director of Photography |
| 1971 | Make-up Film | Director of Photography |
| 1970 | Claire's Knee Film | Director of Photography |
| 1970 | Bed and Board Film | Director of Photography |
| 1970 | The Wild Child Film | Director of Photography |
| 1969 | More Film | Director of Photography, Art Direction |
| 1969 | My Night at Maud's Film | Director of Photography |
| 1969 | The Gun Runner Film | Director of Photography |
| 1968 | Retour d'Henri Langlois à Paris Film | Camera Operator |
| 1968 | The Wild Racers Film | Director of Photography |
| 1968 | A Farmer in Montfaucon Film | Director of Photography |
| 1967 | La Collectionneuse Film | Director of Photography |
| 1966 | Santa Claus Has Blue Eyes Film | Assistant Camera |
| 1966 | A Modern Coed Film | Director of Photography |
| 1965 | Six in Paris Film | Assistant Director, Director of Photography |
| 1965 | Place de l'Étoile Film | Director of Photography |
| 1965 | Saint-Germain-des-Prés Film | Director of Photography |
| 1964 | Nadja in Paris Film | Director of Photography |
| 1960 | General Assembly Film | Director of Photography |
| 1960 | People at the Beach Film | Director |
| 1959 | El Tomate Film | Director of Photography |
| 1959 | Cooperativas Agropecuarias Film | Director of Photography |
| 1950 | A Daily Mix-up Film | Director, Director of Photography |