7.5
Movie
Acting
John Boles
- Born
- Died
- (aged 73)
- Birthplace
- Greenville, Texas, USA
- Credits
- 60 titles
Biography
From Wikipedia, the free encyclopedia.
John Boles (October 28, 1895 – February 27, 1969) was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein. He started out in Hollywood in silent movies, but became a huge star with the advent of talkies. After the war, Boles moved to New York to study music. He quickly became well known for his talents and was selected to replace the leading man in the 1923 Broadway musical Little Jesse James. He became an established star on Broadway and attracted the attention of Hollywood producers and actors.
Boles' Broadway credits include One Touch of Venus (1943), Kitty's Kisses (1925), Mercenary Mary (1924), and Little Jessie James (1923).
He was hired by MGM to appear in a silent film in 1924. He starred in two more films for that studio before returning to New York and the stage. In 1927, he returned to Hollywood to star in The Love of Sunya (1927) opposite Gloria Swanson, which was a big success for him. Unfortunately, because the movies were still silent he was unable to show off his singing ability until late in the decade. In 1929, Warner Brothers hired him to star in their lavish musical operetta The Desert Song (1929). This film featured sequences in Technicolor and was a box-office success. Soon after, Radio Pictures (later known as RKO) selected him to play the leading man in their extravagant production (the last portion of the film was photographed in Technicolor) of Rio Rita, opposite Bebe Daniels. Audiences were enthralled by his beautiful voice, and John Boles suddenly found himself in huge demand. RCA Victor even hired him to make phonograph records of songs that he had sung in his films.
As soon as Rio Rita was completed, Boles went back to Warner Brothers as the leading man in an even more extravagant musical entitled Song of the West (1930) that was filmed entirely in Technicolor. Shortly after this film, Universal Pictures offered John Boles a contract, which he accepted. He starred in a number of pictures for them, most notably the all-Technicolor musical revue entitled The King of Jazz (1930) and a historical operetta entitled Captain of the Guard (1930). In 1931, he starred in One Heavenly Night (1931), which would prove to be his last major musical.
Boles portrayed Victor Moritz in Frankenstein (1931). He starred with Irene Dunne in a 1934 film adaptation of Edith Wharton's 1920 novel The Age of Innocence directed for RKO Radio Pictures by Philip Moeller, and took the role of Edward Morgan in Curly Top (1935), starring Shirley Temple In 1937, Boles starred alongside Barbara Stanwyck in the King Vidor classic Stella Dallas. In 1943, he co-starred with Mary Martin and Kenny Baker in One Touch of Venus. Description above from the Wikipedia article John Boles, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Signature work
Known For
7.5
Movie
6.9
Movie
Stella Dallas
6.5
Movie
Curly Top
6.4
Movie
King of Jazz
6.4
Movie
The Littlest Rebel
6.7
Movie
The Last Warning
6.4
Movie
Thousands Cheer
6.5
Movie
Craig's Wife
6.4
Movie
Back Street
5.4
Movie
Sinners in Paradise
5.0
Movie
A Message to Garcia
5.3
Movie
Stand Up and Cheer!
5.2
Movie
The Age of Innocence
5.7
Movie
The Life of Vergie Winters
4.8
Movie
6 Hours to Live
7.4
Movie
The Love of Sunya
5.5
Movie
Fazil
5.6
Movie
Music in the Air
Acting credits 60
| Year | Title | Role |
|---|---|---|
| 1952 | Babes in Bagdad Film | Hassan |
| 1943 | Thousands Cheer Film | Bill Jones |
| 1942 | Between Us Girls Film | Steven J. Forbes |
| 1941 | Road to Happiness Film | Jeff Carter |
| 1938 | Sinners in Paradise Film | Jim Taylor |
| 1938 | Romance in the Dark Film | Antal Kovach |
| 1937 | She Married an Artist Film | Lee Thornwood |
| 1937 | Fight for Your Lady Film | Robert Densmore |
| 1937 | Stella Dallas Film | Stephen Dallas |
| 1937 | As Good as Married Film | Alexander Drew |
| 1936 | Craig's Wife Film | Walter Craig |
| 1936 | Screen Snapshots (Series 16, No. 1) Film | Self |
| 1936 | A Message to Garcia Film | Lt. Andrew Rowan |
| 1936 | Rose of the Rancho Film | Jim Kearney |
| 1935 | The Littlest Rebel Film | Captain Cary |
| 1935 | Starlit Days at the Lido Film | Self |
| 1935 | Redheads on Parade Film | John Bruce |
| 1935 | Orchids to You Film | Thomas Bentley |
| 1935 | Curly Top Film | Edward Morgan |
| 1935 | Screen Snapshots Series 14, No. 8 Film | |
| 1934 | Music in the Air Film | Bruno Mahler |
| 1934 | The White Parade Film | Ronald Hall III |
| 1934 | The Age of Innocence Film | Newland Archer |
| 1934 | The Life of Vergie Winters Film | John Shadwell |
| 1934 | Wild Gold Film | Steve Miller |
| 1934 | Stand Up and Cheer! Film | John Boles |
| 1934 | Hollywood on Parade No. B-9 Film | Self |
| 1934 | Bottoms Up Film | Hal Reed |
| 1934 | I Believed in You Film | Michael Harrison |
| 1934 | Beloved Film | Carl Hausmann |
| 1933 | My Lips Betray Film | King Rupert aka Captain von Linden |
| 1933 | Only Yesterday Film | James Stanton "Jim" Emerson |
| 1933 | Child of Manhattan Film | Paul Vanderkill |
| 1932 | 6 Hours to Live Film | Karl Kranz |
| 1932 | Back Street Film | Walter D. Saxel |
| 1932 | Careless Lady Film | Stephen Illington |
| 1931 | Good Sport Film | Boyce Cameron |
| 1931 | Frankenstein Film | Victor Moritz |
| 1931 | Seed Film | Bart Carter |
| 1931 | Resurrection Film | Prince Dmitri Nekhludoff |
| 1930 | One Heavenly Night Film | Count Mirko Tibor |
| 1930 | King of Jazz Film | Vocalist ('Song of the Dawn' / 'It Happened in Monterey') |
| 1930 | Captain of the Guard Film | Rouget de L'isle |
| 1930 | Song of the West Film | Captain Stanton |
| 1929 | Rio Rita Film | Capt. Jim Stewart |
| 1929 | Scandal Film | Maurice |
| 1929 | The Desert Song Film | The Red Shadow |
| 1928 | The Last Warning Film | Richard Quayle |
| 1928 | Romance of the Underworld Film | Stephen Ransome |
| 1928 | Man-Made Women Film | John Payson |
| 1928 | The Water Hole Film | Bert Durland |
| 1928 | Virgin Lips Film | Barry Blake |
| 1928 | Fazil Film | John Clavering |
| 1928 | We Americans Film | Hugh Bradleigh |
| 1928 | The Shepherd of the Hills Film | Young Matt |
| 1928 | The Bride of the Colorado Film | John Barrows |
| 1927 | The Love of Sunya Film | Paul Judson |
| 1925 | Excuse Me Film | Lt. Shaw |
| 1924 | So This Is Marriage? Film | Uriah |
| 1924 | The Sixth Commandment Film | John Brant |