Léonide Moguy

Directing

Léonide Moguy

Born
Died
(aged 76)
Birthplace
Saint Petersburg, Russian Empire [now Russia]
Credits
22 titles

Biography

Léonide Moguy (14 July 1899 – 21 April 1976) was a Ukrainian, French and Italian film director, screenwriter and film editor.

Moguy was born Leonid Mohylevskyi (Леонід Могилевський) in Odesa, Russian Empire in 1899 in a Jewish family. He lived in Soviet Ukraine until 1929, in the United States in the 1940s, and in Italy from 1949 until his death. He was active in film between 1927 and 1961. His work has influenced American director Quentin Tarantino, who discovered him while writing the script for Inglourious Basterds, and named a character after him in Django Unchained.

Mohylevskyi was born in Odesa in a family of a merchandise worker. During World War I, he was a soldier of the 51st Lithuanian infantry regiment of the Imperial Russian Army in Simferopol. After the war, he was a medical student and worked part-time at the film studio of Dmytro Kharytonov who came from Moscow to Odesa.

Mohylevskyi did not become a doctor, however, graduating from Odesa Institute of National Economy in 1924, he became a lawyer. Soon, he was invited to work as a VUFKU legal advisor at Odesa Film Studio. Mohylevskyi showed interest not only in the letter of the law, but also in laws and principles of film editing as he assisted the director Mykola Saltykov.

In 1927, Mohylevskyi was the head of the Newsreel Department VUFKU, was a colleague of Dziga Vertov and Mikhail Kaufman. Together with Oleksandr Dovzhenko he initiated the creation of the first library of Ukrainian films. The department headed by Mohylevskyi began to issue Kinotyzhden, and later, Kinozhurnal VUFKU, a collection of fresh newsreels, “timely and urgent,” that became nearly the only source of news at that time.

Then, Mohylevskyi made two mashup films, How It Was (1927) and Documents of the Era (1928), in collaboration with the director Ya. Habovych. The latter was the most popular VUFKU mashup film based on 150,000 meters of newsreels dating back to 1917-1922.

Leonid Mohylevskyi used archive materials (“some positive fragments” and pre-revolutionary “rubbish”) stored in VUFKU archives or bought from other film studios or private persons as the basis for his film.

An active member of the society Friends of Soviet Cinema, Mohylevskyi edited 16 short films for them, such as Now! and Peak ticket (Піковий квиток) filmed by amateur Experimental Film Studio headed by Hlib Zatvornytskyi.

He moved to France and developed a reputation as a "play doctor" of films. He started directing and had a hit with 40 Little Mothers.

Moguy moved to Hollywood in 1940. He made the film The Night is Ending (1943) at 20th Century Fox. He stayed at Fox to make Paris After Dark then went to RKO to make Action in Arabia.

He was meant to follow Action in Arabia with Experiment Perilous with Paul Henreid at RKO but the film was not made. Instead he made Whistle Stop for United Artists.

"I didn't do the pictures I wanted to", he later said of this time.

Moguy returned to France where he made Bethsabee (1947). In 1947 he announced he would direct the first Belgian-Hollywood co production, New York's Origin, a story of the Belgian refugees who established New York. The film was not made. ...

Source: Article "Léonide Moguy" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Signature work

Known For

Acting credits 1

YearTitleRole
1956 Cinépanorama TV Self (1 ep)

Crew credits 21

YearTitleJob
1961 Man Wants to Live Film Director, Writer
1957 Give Me My Chance Film Director, Writer
1956 Diary of a Bad Girl Film Director
1953 Children of Love Film Director
1952 100 Little Mothers Film Story, Screenplay, Producer, Supervising Art Director
1951 Tomorrow Is Another Day Film Story, Screenplay, Director
1950 Tomorrow Is Too Late Film Director, Story, Screenplay, Associate Producer
1947 Bethsabée Film Director
1946 Whistle Stop Film Director
1944 Action in Arabia Film Director
1943 Paris After Dark Film Director
1942 El gran secreto Film Original Story
1940 Two Women Film Director
1939 The Deserter Film Director
1938 Conflit Film Director, Scenario Writer
1938 Prison Without Bars Film Director, Adaptation
1936 Forty Little Mothers Film Director, Writer
1935 Baccara Film Assistant Director
1935 Divine Film Editor, Director of Photography
1933 Theodore and Company Film Editor
1928 Documents of the Era Film Director, Editor
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