6.7
Movie
Directing
Alexandre Koberidze
- Born
- (age 42)
- Birthplace
- Tbilisi, Georgia
- Credits
- 24 titles
Biography
Alexandre Koberidze (Georgisch: ალექსანდრე კობერიძე; born October 19, 1984; Tbilisi) is a Georgian filmmaker, screenwriter, editor and actor. He is currently studying cinema at the German Film and Television Academy in Berlin. "Colophon" (2015) is his first short film and was presented in Oberhausen. His second feature, "Let the Summer Never Come Again" (2017) has been to FID Marseille where it won the Grand Prix of the International Competition. In 2021 Koberidze received for his second feature film "What do we see when we look at the sky?" (2021) an invitation to the competition at the 71st Berlin International Film Festival . [14] In the almost two and a half hour long work, he again devoted himself to the “poetry of aimlessness”, as previously shown in Let the summer never come again . [15] The romance film takes place in the Georgian city of Kutaisi and is about lovers who fall victim to a curse. Although the work did not receive an award from the competition jury, Koberidze was awarded the FIPRESCI Prize.
Signature work
Known For
6.7
Movie
5.6
Movie
Bloodsuckers
6.5
Movie
Self-Criticism of a Bourgeois Dog
5.2
Movie
Let the Summer Never Come Again
6.8
Movie
A Proletarian Winter's Tale
6.3
Movie
Colophon
7.3
Movie
Dry Leaf
4.3
Movie
Linger on Some Pale Blue Dot
5.8
Movie
The More I Zoom in on the Image of These Dogs, The Clearer it Becomes That They Are Related to the Stars.
5.0
Movie
Looking Back Is Grace
10.0
Movie
Boomerang
Movie
The Invisible Film
Movie
The Perfect Spectator
Movie
30th anniversaire of FIDMarseille
Movie
Dancing Alone
Movie
Tourist
Movie
Germany at War
Movie
It Must Have Been Love But It's Over Now
Acting credits 7
| Year | Title | Role |
|---|---|---|
| 2022 | Bloodsuckers Film | Ljowushka |
| 2018 | ROOM H.264: Astoria, NY, January 2018 Film | |
| 2017 | The Invisible Film Film | Sandro |
| 2017 | Self-Criticism of a Bourgeois Dog Film | Sachbearbeiter |
| 2015 | Man müsste Räuber sein oder wenigstens Sprengmeister Film | |
| 2014 | A Proletarian Winter's Tale Film | Otar |
| 2011 | Uh, It's Great Here Film |
Crew credits 18
| Year | Title | Job |
|---|---|---|
| TBA | Bilingual Film | Director, Writer |
| 2026 | Dry Leaf Film | Director, Writer, Editor, Producer, Director of Photography |
| 2025 | The More I Zoom in on the Image of These Dogs, The Clearer it Becomes That They Are Related to the Stars. Film | Director |
| 2024 | Boomerang Film | Editor |
| 2021 | What Do We See When We Look at the Sky? Film | Director, Writer, Editor |
| 2019 | 30th anniversaire of FIDMarseille Film | Screenplay, Editor, Producer, Director |
| 2018 | Linger on Some Pale Blue Dot Film | Director, Editor, Writer |
| 2017 | The Perfect Spectator Film | Director, Screenplay, Editor |
| 2017 | Let the Summer Never Come Again Film | Director, Writer, Editor, Director of Photography, Producer |
| 2015 | Colophon Film | Editor, Director, Writer |
| 2013 | Looking Back Is Grace Film | Editor, Director, Writer |
| 2012 | Dancing Alone Film | Production Manager |
| 2012 | It Must Have Been Love But It's Over Now Film | Director, Writer, Editor |
| 2012 | Germany at War Film | Director, Writer, Editor |
| 2012 | Tourist Film | Production Assistant |
| 2011 | Uh, It's Great Here Film | Line Producer |
| 2011 | Die Finanzen des Großherzogs Radikant Film Film | Line Producer |
| 2010 | Zoe Film | Production Manager |