6.2
Movie
Acting
Blanche Sweet
- Born
- Died
- (aged 90)
- Birthplace
- Chicago, Illinois, USA
- Credits
- 124 titles
Biography
From Wikipedia
Sarah Blanche Sweet (June 18, 1896 – September 6, 1986) was an American silent film actress who began her career in the earliest days of the Hollywood motion picture film industry.
Sweet is renowned for her energetic, independent roles, at variance with the 'ideal' Griffith type of vulnerable, often fragile, femininity. After many starring roles, her first real landmark film was the 1911 Griffith thriller The Lonedale Operator. In 1913 she starred in Griffith's first feature-length movie, Judith of Bethulia. In 1914 Sweet was initially cast by Griffith in the part of Elsie Stoneman in his epic The Birth of a Nation but the role was eventually given to rival actress Lillian Gish, who was Sweet's senior by three years. That same year Sweet parted ways with Griffith and joined Paramount (then Famous Players-Lasky) for the much higher pay that studio was able to afford.
Throughout the 1910s, Sweet continued her career appearing in a number of highly prominent roles in films and remained a publicly popular leading lady. She often starred in vehicles by Cecil B. DeMille and Marshall Neilan, and she was recognised by leading film critics of the time to be one of the foremost actresses of the entire silent era. It was during her time working with Neilan that the two began a publicized affair, which brought on his divorce from former actress Gertrude Bambrick. Sweet and Neilan married in 1922. The union ended in 1929 with Sweet charging that Neilan was a persistent adulterer.
During the early 1920s Sweet's career continued to prosper, and she starred in the first film version of Anna Christie in 1923. The film is also notable as being the first Eugene O'Neill play to be made into a motion picture. In successive years, she starred in Tess of the D'Urbervilles and The Sporting Venus, both directed by Neilan. Sweet soon began a new career phase as one of the newly formed MGM studio's biggest stars.
Sweet made just three talking pictures, including her critically lauded performance in 1930's Show Girl in Hollywood, before retiring from the screen that same year and marrying stage actor Raymond Hackett in 1935. The marriage lasted until Hackett's death in 1958.
Sweet spent the remainder of her performing career in radio and in secondary Broadway stage roles. Eventually, her career in both of these fields petered out, and she began working in a Los Angeles department store. In the late 1960s, her acting legacy was resurrected when film scholars invited her to Europe to receive recognition for her work.
On September 24, 1984, a tribute to Blanche Sweet was held at the Museum of Modern Art in New York City. Miss Sweet introduced her 1925 film, The Sporting Venus.
Sweet died in New York City of a stroke, on September 6, 1986, just weeks after her 90th birthday.
Signature work
Known For
6.2
Movie
6.0
Movie
The Lonedale Operator
5.7
Movie
Death's Marathon
5.9
Movie
The Avenging Conscience
6.1
Movie
Judith of Bethulia
5.7
Movie
The Painted Lady
5.9
Movie
The Massacre
6.3
TV
The Many Loves of Dobie Gillis
5.6
Movie
The Silver Horde
5.0
Movie
Home, Sweet Home
5.5
Movie
For His Son
6.0
Movie
The Miser's Heart
4.6
Movie
The Battle
5.1
Movie
The Last Drop of Water
5.8
Movie
One Is Business, the Other Crime
5.8
Movie
Show Girl in Hollywood
5.3
Movie
The Lesser Evil
7.6
TV
The Thin Man
Acting credits 124
| Year | Title | Role |
|---|---|---|
| 1982 | Before the Nickelodeon: The Cinema of Edwin S. Porter Film | Narrator (voice) |
| 1980 | Hollywood TV | Self (4 ep) |
| 1959 | The Many Loves of Dobie Gillis TV | (1 ep) |
| 1957 | The Thin Man TV | (2 ep) |
| 1945 | Make Mine Memories Film | |
| 1944 | Twenty Years After Film | (archive footage) |
| 1930 | The Silver Horde Film | Queenie |
| 1930 | Show Girl in Hollywood Film | Donny Harris |
| 1930 | The Woman Racket Film | Julia Barnes Hayes |
| 1929 | Always Faithful Film | Mrs. George W. Mason |
| 1929 | The Woman in White Film | Laura Fairlie / Anne Catherick |
| 1927 | Singed Film | Dolly Wall |
| 1926 | Diplomacy Film | Dora Weymouth |
| 1926 | The Far Cry Film | Claire Marsh |
| 1926 | Bluebeard's Seven Wives Film | Juliet |
| 1925 | The New Commandment Film | Renee Darcourt |
| 1925 | Why Women Love Film | Molla Hansen |
| 1925 | The Sporting Venus Film | Lady Gwendolyn |
| 1925 | His Supreme Moment Film | Carla King |
| 1924 | Tess of the D'Urbervilles Film | Teresa "Tess" Durbeyfield |
| 1924 | Those Who Dance Film | Rose Carney |
| 1923 | Anna Christie Film | Anna Christie |
| 1923 | In the Palace of the King Film | Dolores Mendoza |
| 1923 | The Meanest Man in the World Film | Jane Hudson |
| 1923 | Souls for Sale Film | Self - Celebrity Actress (uncredited) |
| 1922 | Quincy Adams Sawyer Film | Alice Pettengill |
| 1921 | That Girl Montana Film | Montana Rivers |
| 1920 | Her Unwilling Husband Film | Mavis |
| 1920 | Help Wanted - Male Film | Leona Stafford |
| 1920 | Girl in the Web Film | Esther Maitland |
| 1920 | Simple Souls Film | Molly Shine |
| 1920 | The Deadlier Sex Film | Mary Willard |
| 1919 | Fighting Cressy Film | Cressy |
| 1919 | A Woman of Pleasure Film | Alice Dane |
| 1919 | The Hushed Hour Film | Virginia Appleton Blodgett |
| 1919 | The Unpardonable Sin Film | Alice Parcot / Dinny Parcot |
| 1917 | Those Without Sin Film | Melanie Landry |
| 1917 | The Evil Eye Film | Dr. Katherine Torrance |
| 1916 | The Storm Film | Natalie Raydon |
| 1916 | Public Opinion Film | Hazel Gray |
| 1916 | The Thousand-Dollar Husband Film | Olga Nelson |
| 1916 | The Sowers Film | Karin Dolokhof |
| 1916 | The Ragamuffin Film | Jenny |
| 1915 | The Secret Sin Film | Edith Martin / Grace Martin |
| 1915 | The Case of Becky Film | Dorothy/Becky |
| 1915 | The Secret Orchard Film | Diane |
| 1915 | The Clue Film | Christine Lesley |
| 1915 | Stolen Goods Film | Margery Huntley |
| 1915 | The Captive Film | Sonya Matinovich |
| 1915 | The Warrens of Virginia Film | Agatha Warren |
| 1914 | The Little Country Mouse Film | Dorothy |
| 1914 | The Odalisque Film | May, a Stock Girl |
| 1914 | The Tear That Burned Film | Meg - the Wild Girl |
| 1914 | For Her Father's Sins Film | Mary Ashton |
| 1914 | Her Awakening Film | Mary |
| 1914 | The Second Mrs. Roebuck Film | Mabel Mack |
| 1914 | The Avenging Conscience Film | The Sweetheart |
| 1914 | Men and Women Film | Agnes Rodman - Stephen's Daughter |
| 1914 | The Painted Lady Film | Jane - the Elder Sister |
| 1914 | Home, Sweet Home Film | The Wife |