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Denials (1985)

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Hopefully learning the lessons of Close Up, the attempt was to construct the discrete form the (seemingly) continuous... so that, mainly retrospectively (yet during viewing) sequences present themselves as fragment-conglomorates. Therefrom might come questions of 'natural representations'... Filmic assumptions of evidence lacking, desired voyeurist pleasures could be turned into thought. Realism of another kind.

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Peter Gidal

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