7.2
Film
Scenariusz
Anthony Veiller
- Urodzony/a
- Zmarł(a)
- (w wieku 62 lat)
- Miejsce urodzenia
- New York, New York, USA
- Obsada i ekipa
- 52 tytułów
Biografia
From Wikipedia, the free encyclopedia
Anthony Veiller (23 June 1903 – 27 June 1965) was an American screenwriter and film producer. The son of the screenwriter Bayard Veiller and the English actress Margaret Wycherly, Anthony Veiller wrote for 41 films between 1934 and 1964.
He was born on 23 June 1903 in New York City to Bayard Veiller and Margaret Wycherly. He moved to Hollywood in 1930.
Veiller was twice nominated for an Academy Award for Best Screenplay. In 1937, he co-wrote (with Morrie Ryskind) the screenplay for Stage Door, starring Katharine Hepburn, Ginger Rogers and Adolphe Menjou. This very loose adaptation of the play by George S. Kaufman and Edna Ferber was also nominated for the Academy Award for Best Picture.
Veiller was also Oscar-nominated for writing (with uncredited help from John Huston and Richard Brooks) The Killers (1946), an adaptation of the short story by Ernest Hemingway. This seminal example of film noir, which introduced Burt Lancaster to filmgoers, won an Edgar Award as best mystery film of 1946, and in 2008 was enshrined in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Veiller frequently worked with top directors. During the Second World War he worked with Frank Capra on several films in the documentary/propaganda film series collectively titled Why We Fight. In 1946 (the same year as The Killers), Veiller co-wrote The Stranger, directed by and starring Orson Welles. For State of the Union (1948), again directed by Capra, Veiller was credited as co-producer as well as co-writer. Veiller worked with director John Huston on several films: Moulin Rouge (1952), Beat the Devil (1953), The List of Adrian Messenger (1963), and The Night of the Iguana (1964), the film of the Tennessee Williams play that became Veiller's final screen credit.
Veiller died on 27 June 1965 of cancer, in Hollywood, California. He was buried in the St Mary Churchyard, Bepton, Chichester, West Sussex, England as was his mother.
Najważniejsze dzieło
Znany/a z
7.2
Film
7.4
Film
Zabójcy
6.1
Film
Pobij diabła
7.2
Film
Noc Iguany
7.2
Film
Obcym wstęp wzbroniony
6.6
Film
Moulin Rouge
6.5
Film
Salomon i królowa Saby
6.7
Film
The List of Adrian Messenger
7.0
Film
Colorado
6.8
Film
State of the Union
7.4
Film
Na granicy życia i śmierci
6.4
Film
Dallas
5.9
Film
Backfire
6.2
Film
The Ex-Mrs. Bradford
4.9
Film
Red Planet Mars
6.4
Film
Chain Lightning
5.9
Film
Star of Midnight
6.8
Film
Why We Fight: The Battle of Britain
Dorobek aktorski 6
| Rok | Tytuł | Rola |
|---|---|---|
| 2000 | Why We Fight: World War II: The Battle of China / War Comes to America Film | Narrator |
| 1964 | On the Trail of the Iguana Film | Self |
| 1945 | Here Is Germany Film | Narrator (uncredited) |
| 1944 | Why We Fight: The Battle of China Film | Narrator |
| 1944 | Attack! The Battle for New Britain Film | Narrator (voice) |
| 1943 | Why We Fight: The Battle of Russia Film | Narrator |
Ekipa 47
| Rok | Tytuł | Funkcja |
|---|---|---|
| 2000 | Why We Fight: World War II: The Battle of China / War Comes to America Film | Writer |
| 1964 | Noc Iguany Film | Screenplay |
| 1963 | The List of Adrian Messenger Film | Screenplay |
| 1959 | Salomon i królowa Saby Film | Screenplay |
| 1958 | Timbuktu Film | Writer |
| 1957 | Monkey on My Back Film | Screenplay |
| 1956 | Safari Film | Screenplay |
| 1955 | That Lady Film | Screenplay |
| 1953 | Pobij diabła Film | Additional Writing |
| 1952 | Moulin Rouge Film | Screenplay |
| 1952 | Red Planet Mars Film | Producer, Writer |
| 1951 | Force of Arms Film | Producer |
| 1951 | Fort Worth Film | Producer |
| 1951 | Na granicy życia i śmierci Film | Producer |
| 1950 | Dallas Film | Producer |
| 1950 | Chain Lightning Film | Producer |
| 1950 | Backfire Film | Producer |
| 1949 | Colorado Film | Producer |
| 1948 | State of the Union Film | Screenplay |
| 1946 | Zabójcy Film | Screenplay |
| 1946 | Intruz Film | Screenplay |
| 1945 | Your Job in Germany Film | Writer |
| 1943 | Why We Fight: The Battle of Britain Film | Director |
| 1943 | Assignment in Brittany Film | Screenplay |
| 1942 | Her Cardboard Lover Film | Screenplay |
| 1941 | New York Town Film | Producer |
| 1940 | Victory Film | Producer |
| 1940 | Moon Over Burma Film | Producer |
| 1940 | Safari Film | Producer |
| 1940 | Typhoon Film | Producer |
| 1939 | Disputed Passage Film | Screenplay |
| 1939 | Let Us Live Film | Screenplay |
| 1938 | Święty w Nowym Jorku Film | Treatment |
| 1938 | Radio City Revels Film | Screenplay |
| 1937 | Obcym wstęp wzbroniony Film | Screenplay |
| 1937 | The Soldier and the Lady Film | Screenplay |
| 1936 | Winterset Film | Screenplay |
| 1936 | A Woman Rebels Film | Screenplay |
| 1936 | The Ex-Mrs. Bradford Film | Screenplay |
| 1936 | The Lady Consents Film | Screenplay |
| 1935 | Seven Keys to Baldpate Film | Writer |
| 1935 | Jalna Film | Screenplay |
| 1935 | Break of Hearts Film | Screenplay |
| 1935 | Star of Midnight Film | Screenplay |
| 1934 | Menace Film | Writer |
| 1934 | The Notorious Sophie Lang Film | Screenplay |
| 1934 | The Witching Hour Film | Writer, Producer |