8.3
映画
脚本
チャールズ・ブラケット
- 生年月日
- 没年月日
- (76歳)
- 出身地
- Saratoga Springs, New York, USA
- クレジット
- 57作品
経歴
Charles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter, and film producer. He collaborated with Billy Wilder on sixteen films.
Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett. The family's roots traced back to the arrival of Richard Brackett in the Massachusetts Bay Colony in 1629, near present-day Springfield, Massachusetts. His mother's uncle, George Henry Corliss, built the Centennial Engine that powered the 1876 Centennial Exposition in Philadelphia. A 1915 graduate of Williams College, he earned his law degree from Harvard University. He joined the Allied Expeditionary Force during World War I. He was awarded the French Medal of Honor. He was a frequent contributor to the Saturday Evening Post, Collier's, and Vanity Fair, and a drama critic for The New Yorker. He wrote five novels: The Counsel of the Ungodly (1920), Week-End (1925), That Last Infirmity (1926), and American Colony (1929). and Entirely Surrounded (1934).
Brackett was a president of the Screen Writers Guild (1938–1939) and the Academy of Motion Picture Arts and Sciences (1949–1955). He either wrote and/or produced over forty films, including To Each His Own, Ninotchka, The Major and the Minor, The Mating Season (1951), Niagara, The King and I, Ten North Frederick, The Remarkable Mr. Pennypacker, and Blue Denim.
Beginning in August 1936, Brackett worked with Billy Wilder, writing the film classics The Lost Weekend and Sunset Boulevard, both of which won Academy Awards for their respective screenplays. Brackett described their collaboration process as follows: "The thing to do was suggest an idea, have it torn apart and despised. In a few days, it would be apt to turn up, slightly changed, as Wilder's idea. Once I got adjusted to that way of working, our lives were simpler."
His partnership with Wilder ended in 1950 and Brackett went to work at 20th Century-Fox as a screenwriter and producer. His script for Titanic (1953) won him another Academy Award.
He received an Honorary Oscar for Lifetime Achievement in 1958.
Charles Brackett died on March 9, 1969. His diaries covering his screenwriting and social life from 1932 to 1949 were edited by Anthony Slide into Slide's book It's the Pictures That Got Small: Charles Brackett on Billy Wilder and Hollywood's Golden Age.
代表作
代表作
出演作品 2
| 公開年 | タイトル | 役割 |
|---|---|---|
| 1953 | アカデミー賞 TV番組 | Self (2話) |
| 1950 | The Screen Writer 映画 | Self (uncredited) |
スタッフクレジット 55
| 公開年 | タイトル | 職種 |
|---|---|---|
| 未定 | Sunset Boulevard 映画 | Original Film Writer |
| 1962 | State Fair 映画 | Producer |
| 1960 | High Time 映画 | Producer |
| 1959 | 地底探険 映画 | Screenplay, Producer |
| 1959 | Blue Denim 映画 | Producer |
| 1959 | The Remarkable Mr. Pennypacker 映画 | Producer |
| 1958 | Ten North Frederick 映画 | Producer |
| 1958 | The Gift of Love 映画 | Producer |
| 1957 | The Wayward Bus 映画 | Producer |
| 1956 | Teenage Rebel 映画 | Screenplay, Producer |
| 1956 | 王様と私 映画 | Producer |
| 1956 | D-Day the Sixth of June 映画 | Producer |
| 1955 | 夢去りぬ 映画 | Producer, Screenplay |
| 1955 | The Virgin Queen 映画 | Producer |
| 1954 | Woman's World 映画 | Producer |
| 1954 | 悪の花園 映画 | Producer |
| 1953 | タイタニックの最期 映画 | Producer, Screenplay |
| 1953 | ナイアガラ 映画 | Writer, Producer |
| 1951 | The Model and the Marriage Broker 映画 | Writer, Producer |
| 1951 | The Mating Season 映画 | Writer, Producer |
| 1950 | サンセット大通り 映画 | Producer, Screenplay |
| 1950 | Edge of Doom 映画 | Writer |
| 1948 | Miss Tatlock's Millions 映画 | Screenplay, Producer |
| 1948 | A Song Is Born 映画 | Original Film Writer |
| 1948 | 異国の出来事 映画 | Screenplay, Producer |
| 1948 | 皇帝円舞曲 映画 | Writer, Producer |
| 1947 | 気まぐれ天使 映画 | Additional Writing |
| 1946 | To Each His Own 映画 | Story, Screenplay, Producer |
| 1945 | Masquerade in Mexico 映画 | Original Film Writer |
| 1945 | 失われた週末 映画 | Screenplay, Producer |
| 1944 | Skirmish on the Home Front 映画 | Director |
| 1944 | 呪いの家 映画 | Producer |
| 1943 | 熱砂の秘密 映画 | Screenplay, Associate Producer |
| 1942 | The Major and the Minor 映画 | Writer |
| 1941 | Ball of Fire 映画 | Screenplay |
| 1941 | Hold Back the Dawn 映画 | Writer |
| 1940 | Arise, My Love 映画 | Screenplay |
| 1939 | ニノチカ 映画 | Screenplay |
| 1939 | What a Life 映画 | Screenplay |
| 1939 | Midnight 映画 | Screenplay |
| 1938 | That Certain Age 映画 | Writer |
| 1938 | 青髭八人目の妻 映画 | Screenplay |
| 1937 | Live, Love and Learn 映画 | Screenplay |
| 1936 | Piccadilly Jim 映画 | Writer |
| 1936 | Woman Trap 映画 | Story |
| 1936 | Rose of the Rancho 映画 | Screenplay |
| 1935 | 最後の駐屯兵 映画 | Adaptation |
| 1935 | Without Regret 映画 | Writer |
| 1935 | College Scandal 映画 | Screenplay |
| 1935 | Enter Madame 映画 | Writer |
| 1933 | 若草物語 映画 | Additional Writing |
| 1931 | Secrets of a Secretary 映画 | Story |
| 1929 | Pointed Heels 映画 | Short Story |
| 1926 | Risky Business 映画 | Story |
| 1925 | Tomorrow's Love 映画 | Story |