5.8
映画
監督
Basma Alsharif
- 生年月日
- (43歳)
- 出身地
- Kuwait
- クレジット
- 21作品
経歴
Basma Alsharif is an Artist/Filmmaker born in Kuwait to Palestinian parents, raised between France and the US. Since receiving a Master of Fine Arts in 2007 from the University of Illinois at Chicago, she developed her practice nomadically between Chicago, Cairo, Beirut, Sharjah, Amman, the Gaza Strip and Paris. Basma's work centers on the human condition in relation to shifting geopolitical landscapes and natural environments. Interested in what cannot ever be proven or explained, she uses photography, film, video, sound, language and performance to reveal the fallibility of our perception and of history. Engaging with politics on a visceral level through pieces characterized by their immersive, lyrical qualities, Alsharif creates familiar environments that lure us into unsettling experiences of being comfortable and foreign simultaneously.
代表作
代表作
出演作品 2
| 公開年 | タイトル | 役割 |
|---|---|---|
| 2019 | Deux Soeurs Qui Ne Sont Pas Soeurs 映画 | |
| 2014 | Light Licks: Pardes: Drowned Hat Rescue Media City Motown Jump 映画 |
スタッフクレジット 19
| 公開年 | タイトル | 職種 |
|---|---|---|
| 2025 | Morgenkreis 映画 | Director |
| 2025 | Old Masters 映画 | Director |
| 2025 | It's So Beautiful Here 映画 | Director |
| 2022 | Capital 映画 | Director |
| 2017 | Ouroboros 映画 | Director, Editor, Writer |
| 2016 | Trompe l’oeil 映画 | Director |
| 2015 | Renée’s Room 映画 | Director, Director of Photography |
| 2015 | A Field Guide to the Ferns 映画 | Director |
| 2014 | Atlantis 映画 | Sound Recordist, Thanks |
| 2014 | O, Persecuted 映画 | Director |
| 2014 | Deep Sleep 映画 | Director of Photography, Editor |
| 2014 | High Noon 映画 | Director |
| 2014 | Untitled (Lyndsay Bloom) 映画 | Director |
| 2013 | Farther Than the Eye Can See 映画 | Director |
| 2013 | Home Movies Gaza 映画 | Director, Writer |
| 2012 | Everywhere Was The Same 映画 | Director |
| 2011 | The Story of Milk and Honey 映画 | Director |
| 2010 | Turkish Delight 映画 | Director |
| 2009 | We Began by Measuring Distance 映画 | Director, Writer |