7.1
映画
脚本
Gene Markey
- 生年月日
- 没年月日
- (84歳)
- 出身地
- Jackson, Michigan, USA
- クレジット
- 44作品
経歴
From Wikipedia, the free encyclopedia
Eugene Willford "Gene" Markey (December 11, 1895 – May 1, 1980) was an American author, producer, screenwriter, and highly decorated naval officer.
Early life
Markey was born in Michigan in the year 1895. His father, Eugene Lawrence Markey, was a colonel in the United States Army. His uncle, Daniel P. Markey, had been Speaker of the Michigan House of Representatives. He graduated from Dartmouth College in 1918.
Chicago
He was a skilled sketch artist, which gained him entry, after World War I, into the Art Institute of Chicago starting in 1919 and finishing in 1920. There, he claimed to have "studied painting and learned nothing". After that, he worked as a journalist in Chicago for several newspapers and magazines, including Photoplay magazine. It was during the 1920s that Gene Markey first became a writer, specializing in novels about the Jazz Age. Among his titles were Anabel; Stepping High; Women, Women, Everywhere; and His Majesty's Pyjamas. His book "Literary Lights" (March 1923, Alfred A. Knopf, New York) was a collection of fifty of America's most important literary authors of the day. He personally sketched each caricature.
Hollywood
He went to Hollywood in 1929 and became a screenwriter for Twentieth Century Fox. His screen credits included King of Burlesque (1936) starring Alice Faye, Girls' Dormitory (1936) featuring Herbert Marshall, and On the Avenue (1937), starring Dick Powell, Madeleine Carroll, and Alice Faye. He was also the producer of the 1937 Shirley Temple film, Wee Willie Winkie, among others.
Although he was not overly handsome, he was a very skilled conversationalist and he quickly became a popular fixture in Hollywood society. Among his good friends in Hollywood were producer John Hay Whitney, composer Irving Berlin, and actors Douglas Fairbanks Jr., Ward Bond and John Wayne. He would often go fishing with Bond and Wayne off Catalina Island. A 1946 article in the Washington Times Herald said, "Other Men Say: What's Gene Markey Got That We Haven't Got?" The article ran a photo of Rudolph Valentino with the caption, "NOT SO HOT – By Comparison. Though all American womanhood swooned over him in his day, Rudolph Valentino was no Markey." Soon after he arrived in Hollywood in 1929, it was also reported that, "Markey became the most sought after unattached man in the cinema firmament, so sprinkled with far handsomer, richer male stars." Markey was married three times to prominent film actresses. His first wife was Joan Bennett, from 1932 to 1937 (which produced a daughter, Melinda, in 1934). He was married to Hedy Lamarr from 1939 to 1940 and to Myrna Loy from 1946 to 1950. At first, Loy claimed mental cruelty, but later retracted it, saying, "He could make a scrubwoman think she was a queen and he could make a queen think she was the queen of queens."
More information can be found at Wikipedia.
代表作
代表作
7.1
映画
6.9
映画
The Adventures of Sherlock Holmes
7.3
映画
紅唇罪あり
6.7
映画
テンプルちゃんの小公女
6.3
映画
Female
6.8
映画
Midnight Mary
6.6
映画
Fashions of 1934
6.6
映画
Moss Rose
5.5
映画
Suez
6.4
映画
As You Desire Me
5.8
映画
A Lost Lady
6.1
映画
Kentucky
6.6
映画
Lillian Russell
5.5
映画
Lilly Turner
6.2
映画
King of Burlesque
5.9
映画
Inspiration
5.1
映画
Second Fiddle
5.5
映画
The Florodora Girl
出演作品 1
| 公開年 | タイトル | 役割 |
|---|---|---|
| 1940 | Cavalcade of the Academy Awards 映画 | Self |
スタッフクレジット 43
| 公開年 | タイトル | 職種 |
|---|---|---|
| 1956 | Glory 映画 | Story |
| 1953 | Meet Me at the Fair 映画 | Novel |
| 1951 | The Wonder Kid 映画 | Screenplay |
| 1949 | That Dangerous Age 映画 | Screenplay |
| 1947 | Moss Rose 映画 | Producer |
| 1940 | Lillian Russell 映画 | Associate Producer |
| 1939 | The Adventures of Sherlock Holmes 映画 | Associate Producer |
| 1939 | Second Fiddle 映画 | Producer |
| 1939 | The Hound of the Baskervilles 映画 | Associate Producer |
| 1939 | テンプルちゃんの小公女 映画 | Associate Producer |
| 1938 | Kentucky 映画 | Producer |
| 1938 | Suez 映画 | Associate Producer |
| 1938 | Josette 映画 | Associate Producer |
| 1938 | Sally, Irene and Mary 映画 | Producer |
| 1937 | On the Avenue 映画 | Screenplay, Associate Producer |
| 1936 | Love in Exile 映画 | Novel |
| 1936 | White Hunter 映画 | Story |
| 1936 | Girls' Dormitory 映画 | Screenplay |
| 1936 | Private Number 映画 | Writer |
| 1936 | Champagne Charlie 映画 | Writer |
| 1936 | King of Burlesque 映画 | Screenplay |
| 1936 | The Big Noise 映画 | Story |
| 1935 | Let's Live Tonight 映画 | Screenplay |
| 1934 | A Lost Lady 映画 | Screenplay |
| 1934 | The Merry Frinks 映画 | Screenplay, Story |
| 1934 | A Modern Hero 映画 | Screenplay |
| 1934 | Fashions of 1934 映画 | Adaptation |
| 1933 | Female 映画 | Writer |
| 1933 | 紅唇罪あり 映画 | Screenplay |
| 1933 | Midnight Mary 映画 | Screenplay |
| 1933 | Lilly Turner 映画 | Screenplay |
| 1933 | Luxury Liner 映画 | Screenplay |
| 1932 | As You Desire Me 映画 | Adaptation, Writer |
| 1931 | West of Broadway 映画 | Screenplay, Adaptation |
| 1931 | The Great Lover 映画 | Writer |
| 1931 | Inspiration 映画 | Writer |
| 1930 | The Florodora Girl 映画 | Writer, Dialogue |
| 1930 | Prince of Diamonds 映画 | Story |
| 1929 | The Battle of Paris 映画 | Writer |
| 1929 | Lucky In Love 映画 | Writer |
| 1929 | Mother's Boy 映画 | Story, Screenplay |
| 1929 | Syncopation 映画 | Author |
| 1923 | Blinky 映画 | Story |