Ταινία

Temps contre temps (2014)

• 1 Ιανουαρίου 2014
• 4λ

• Μουσική

Επισκόπηση

The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.

Σκηνοθέτης

Robert Cahen