Αφίσα Tage

Ταινία

Tage (2023)

  • 3ω 50λ

Επισκόπηση

Tage is not a memoir of Schreiner's battle with his illness – this is merely hinted at, almost obliquely. Schreiner considered his ailing body above all an artistic challenge: What is possible, what can be developed from the set of options and perspectives such a state of being offers? Curiously enough, Tage turned into a variation of his last finished film, Garten (2019): a chamber piece shot almost exclusively in his house, featuring himself and his beloved wife Maria as well as some friends. It is also a return to a cinema of intimacy that he'd last essayed with Kinderfilm (1985). With all of that, Schreiner strove for and reached yet another level of artistic freedom with Tage, for none of his works to date are as light-footed in their movement: pure stream-of-conscious in a diaristic framework – a film as open as Schreiner's restlessly searching soul and endlessly curious heart.

Σκηνοθέτης
Peter Schreiner

AI συνομιλία

Ρωτήστε το ask2cinemadb οτιδήποτε για το Tage

Ίσως σας αρέσουν επίσης

Ταινίες όπως το Tage

Ρωτήστε για το Tage