6.9
Film
Drehbuch
Allen Rivkin
- Geboren
- Gestorben
- (im Alter von 86)
- Geburtsort
- Hayward, Wisconsin, USA
- Mitwirkende
- 51 Titel
Biografie
Allen Rivkin (20 November 1903 – 17 February 1990) was an American screenwriter.
Rivkin was a advertising copy writer, who went to Hollywood and joined the RKO Pictures publicity department. He formed a film writing team with P. J. Wolfson, who got a writer’s contract on the strength of "Bodies Are Dust". They started at Universal Pictures the same day. Through a luncheon conversation that day decided to collaborate on a story. In less than two years the pair wrote ten screen plays. They later wrote for the B. P. Schulberg company at Paramount Pictures. He was one of the co-founders of the Screenwriters Guild, later the Writers Guild of America. He wrote several of his scripts with his wife, Laura Kerr.
From Wikipedia, the free encyclopedia.
Bekanntestes Werk
Bekannt für
6.9
Film
6.8
Film
Zum Zerreißen gespannt
7.0
Film
Das gibt’s nie wieder II
6.9
Film
Ich tanze nur für Dich
7.2
Film
Die Farmerstochter
6.8
Film
What Price Hollywood?
6.9
Film
Der Mann mit der Kamera
6.4
Film
Mein Traum bist Du
6.4
Film
Der Gentleman-Killer
6.4
Film
Till the End of Time
6.0
Film
Arzt im Zwielicht
6.8
Film
Night World
7.3
Film
Unter vier Augen
5.8
Film
The Guilt of Janet Ames
6.2
Film
Endstation Mord
5.9
Film
The Strip
6.8
Film
Laßt uns leben
6.3
Film
Love Is News
Schauspielerische Mitwirkung 1
| Jahr | Titel | Rolle |
|---|---|---|
| 1931 | Are These Our Children? Film | Minor Role |
Filmstab 50
| Jahr | Titel | Tätigkeit |
|---|---|---|
| 1976 | Das gibt’s nie wieder II Film | Thanks |
| 1959 | The Troubleshooters TV | Producer (1 Ep.) |
| 1959 | Der große Schwindler Film | Screenplay |
| 1958 | Asphalt-Hyänen Film | Screenplay |
| 1958 | Live Fast, Die Young Film | Screenplay |
| 1955 | Postraub in Central City Film | Screenplay |
| 1955 | Unternehmen Pelikan Film | Screenplay |
| 1955 | Der Rächer vom Silbersee Film | Screenplay |
| 1954 | Prisoner of War Film | Writer |
| 1953 | Arzt im Zwielicht Film | Story |
| 1951 | It's a Big Country Film | Story |
| 1951 | The Strip Film | Writer |
| 1951 | Mein Mann will heiraten Film | Screenplay |
| 1950 | Endstation Mord Film | Screenplay |
| 1949 | Zum Zerreißen gespannt Film | Screenplay |
| 1949 | Mein Traum bist Du Film | Adaptation |
| 1947 | Die Farmerstochter Film | Writer |
| 1947 | The Guilt of Janet Ames Film | Writer |
| 1946 | Späte Sühne Film | Adaptation |
| 1946 | Sambafieber Film | Screenplay |
| 1946 | Till the End of Time Film | Screenplay |
| 1942 | Sunday Punch Film | Writer |
| 1942 | Der Gentleman-Killer Film | Screenplay |
| 1942 | Joe Smith, American Film | Screenplay |
| 1941 | Highway West Film | Screenplay |
| 1941 | Singapore Woman Film | Screenplay, Producer |
| 1940 | Dancing on a Dime Film | Screenplay |
| 1940 | Die Hölle der Südsee Film | Screenplay |
| 1939 | It Could Happen to You Film | Writer |
| 1939 | Laßt uns leben Film | Screenplay |
| 1938 | Straight, Place and Show Film | Screenplay |
| 1937 | Love Under Fire Film | Writer |
| 1937 | Unter vier Augen Film | Story, Screenplay |
| 1937 | Love Is News Film | Additional Writing |
| 1936 | Half Angel Film | Screenplay |
| 1936 | Champagne Charlie Film | Screenplay |
| 1935 | Bad Boy Film | Screenplay |
| 1935 | Black Sheep Film | Screenplay |
| 1935 | Our Little Girl Film | Screenplay |
| 1934 | Cheating Cheaters Film | Writer |
| 1933 | Ich tanze nur für Dich Film | Screenplay |
| 1933 | Meet the Baron Film | Screenplay |
| 1933 | Headline Shooter Film | Screenplay |
| 1933 | Der Mann mit der Kamera Film | Adaptation |
| 1932 | The Devil Is Driving Film | Screenplay |
| 1932 | Madison Square Garden Film | Writer |
| 1932 | 70,000 Witnesses Film | Additional Dialogue |
| 1932 | What Price Hollywood? Film | Screenplay |
| 1932 | Is My Face Red? Film | Theatre Play |
| 1932 | Night World Film | Story |