8.0
Film
Kamera
Gregg Toland
- Geboren
- Gestorben
- (im Alter von 44)
- Geburtsort
- Charleston, Illinois, USA
- Mitwirkende
- 63 Titel
Biografie
From Wikipedia
Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.
Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.
Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Bekanntestes Werk
Bekannt für
8.0
Film
7.7
Film
Berüchtigt
7.8
Film
Früchte des Zorns
7.7
Film
Die besten Jahre unseres Lebens
7.2
Film
Stürmische Höhen
6.5
Film
Onkel Remus’ Wunderland
7.1
Film
Jede Frau braucht einen Engel
7.4
Film
Die merkwürdige Zähmung der Gangsterbraut Sugarpuss
7.5
Film
Die kleinen Füchse
7.1
Film
Sackgasse
7.1
Film
In die Falle gelockt
7.0
Film
Mad Love
5.4
Film
Geächtet
6.6
Film
Der lange Weg nach Cardiff
7.1
Film
Die Elenden
6.7
Film
… und ewig siegt die Liebe
6.6
Film
The Life and Death of 9413: A Hollywood Extra
6.5
Film
Queen Kelly
Schauspielerische Mitwirkung 2
| Jahr | Titel | Rolle |
|---|---|---|
| 1943 | Show-Business at War Film | Self |
| 1941 | Citizen Kane Film | Interviewer |
Filmstab 62
| Jahr | Titel | Tätigkeit |
|---|---|---|
| 1948 | Enchantment Film | Director of Photography |
| 1948 | Die tollkühne Rettung der Gangsterbraut Honey Swanson Film | Director of Photography |
| 1947 | Jede Frau braucht einen Engel Film | Director of Photography |
| 1946 | Die besten Jahre unseres Lebens Film | Director of Photography |
| 1946 | Onkel Remus’ Wunderland Film | Director of Photography |
| 1946 | Berüchtigt Film | Second Unit Director of Photography |
| 1946 | Der Held des Tages Film | Director of Photography |
| 1944 | The Fighting Generation Film | Director of Photography |
| 1943 | Der 7. Dezember Film | Director, Director of Photography |
| 1943 | Geächtet Film | Director of Photography |
| 1941 | Die merkwürdige Zähmung der Gangsterbraut Sugarpuss Film | Director of Photography |
| 1941 | Die kleinen Füchse Film | Director of Photography |
| 1941 | Citizen Kane Film | Director of Photography |
| 1940 | Der lange Weg nach Cardiff Film | Director of Photography |
| 1940 | In die Falle gelockt Film | Director of Photography |
| 1940 | Früchte des Zorns Film | Director of Photography |
| 1939 | Raffles Film | Director of Photography |
| 1939 | Intermezzo Film | Director of Photography |
| 1939 | Musik fürs Leben Film | Director of Photography |
| 1939 | Stürmische Höhen Film | Director of Photography |
| 1938 | Mein Mann, der Cowboy Film | Director of Photography |
| 1938 | The Goldwyn Follies Film | Director of Photography |
| 1937 | Sackgasse Film | Director of Photography |
| 1937 | Woman Chases Man Film | Director of Photography |
| 1937 | … und ewig siegt die Liebe Film | Director of Photography |
| 1936 | Beloved Enemy Film | Director of Photography |
| 1936 | Nimm, was du kriegen kannst Film | Director of Photography |
| 1936 | The Road to Glory Film | Director of Photography |
| 1936 | Infame Lügen Film | Director of Photography |
| 1935 | Splendor Film | Director of Photography |
| 1935 | Der Weg im Dunkel Film | Director of Photography |
| 1935 | Mad Love Film | Director of Photography |
| 1935 | Public Hero Number 1 Film | Director of Photography |
| 1935 | Die Elenden Film | Director of Photography |
| 1935 | Die Nacht der Liebe Film | Director of Photography |
| 1934 | Heirate nie beim ersten Mal Film | Director of Photography |
| 1934 | We Live Again Film | Director of Photography |
| 1934 | Nana Film | Director of Photography |
| 1933 | Skandal in Rom Film | Director of Photography |
| 1933 | The Masquerader Film | Director of Photography |
| 1933 | Tugboat Annie Film | Director of Photography |
| 1933 | The Nuisance Film | Director of Photography |
| 1932 | The Kid from Spain Film | Director of Photography |
| 1932 | The Washington Masquerade Film | Director of Photography |
| 1932 | The Tenderfoot Film | Director of Photography |
| 1932 | Man Wanted Film | Director of Photography |
| 1931 | Palmy Days Film | Director of Photography |
| 1931 | Street Scene Film | Director of Photography |
| 1931 | Tonight or Never Film | Director of Photography |
| 1930 | One Heavenly Night Film | Director of Photography |
| 1930 | The Devil to Pay! Film | Director of Photography |
| 1930 | Whoopee! Film | Director of Photography |
| 1930 | Raffles Film | Director of Photography, Cinematography |
| 1929 | Queen Kelly Film | Cinematography |
| 1929 | The Trespasser Film | Director of Photography |
| 1929 | Condemned! Film | Director of Photography |
| 1929 | This Is Heaven Film | Director of Photography |
| 1929 | Bulldog Drummond Film | Director of Photography |
| 1928 | The Life and Death of 9413: A Hollywood Extra Film | Director of Photography |
| 1926 | The Winning of Barbara Worth Film | Director of Photography |