7.4
Film
Schauspiel
Ann Dvorak
- Geboren
- Gestorben
- (im Alter von 68)
- Geburtsort
- New York City, New York, USA
- Mitwirkende
- 88 Titel
Biografie
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent."
Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood.
She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him.
In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute.
Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later.
Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
Bekanntestes Werk
Bekannt für
7.4
Film
6.6
Film
Der FBI-Agent
6.4
Film
Three on a Match
5.8
Film
Die lange Nacht
7.0
Film
Wie leben wir doch glücklich!
6.6
Film
Vergeltung am Teufelssee
5.4
Film
Banditen ohne Maske
6.2
Film
The Private Affairs of Bel Ami
5.5
Film
San Francisco Lilly
6.4
Film
Irrwege des Lebens
6.1
Film
Der Schrei der Menge
5.2
Film
A Life of Her Own
7.2
Film
Heat Lightning
5.9
Film
Blind Alley
5.4
Film
Love is a Racket
5.9
Film
Unser eigenes Ich
6.5
Film
Out of the Blue
4.6
Film
College Coach
Schauspielerische Mitwirkung 88
| Jahr | Titel | Rolle |
|---|---|---|
| 2008 | Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood Film | Vivian Revere Kirkwood (archive footage) |
| 1997 | Bogart: The Untold Story Film | Self (archive footage) |
| 1951 | Vergeltung am Teufelssee Film | Rachel Schaeffer |
| 1951 | I Was an American Spy Film | Mrs. Claire 'High Pockets' Phillips |
| 1950 | Mrs. O'Malley and Mr. Malone Film | Connie Kepplar |
| 1950 | A Life of Her Own Film | Mary Ashlon |
| 1950 | The Return of Jesse James Film | Sue Ellen Younger |
| 1950 | Unser eigenes Ich Film | Gert Lynch |
| 1948 | The Walls of Jericho Film | Belle Connors |
| 1947 | Die lange Nacht Film | Charlene |
| 1947 | The Private Affairs of Bel Ami Film | Madeleine Forestier |
| 1947 | Out of the Blue Film | Olive Jensen |
| 1946 | The Bachelor's Daughters Film | Terry Wilson |
| 1946 | Banditen ohne Maske Film | Rita |
| 1945 | Masquerade in Mexico Film | Helen Grant |
| 1945 | San Francisco Lilly Film | Ann 'Flaxen' Tarry |
| 1943 | Escape to Danger Film | Joan Grahame |
| 1943 | Squadron Leader X Film | Barbara Lucas |
| 1942 | This Was Paris Film | Ann Morgan |
| 1940 | Girls of the Road Film | Kay Warren |
| 1940 | Cafe Hostess Film | Jo |
| 1939 | Stronger Than Desire Film | Eva McLain |
| 1939 | Blind Alley Film | Mary |
| 1938 | Gangs of New York Film | Connie Benson |
| 1938 | Wie leben wir doch glücklich! Film | Minerva Harlan |
| 1937 | Manhattan Merry-Go-Round Film | Ann Rogers |
| 1937 | She's No Lady Film | Jerry |
| 1937 | The Case of the Stuttering Bishop Film | Della Street |
| 1937 | Midnight Court Film | Carol O'Neill |
| 1937 | Ein Faible für Pferde Film | Ruth Martin |
| 1937 | We Who Are About to Die Film | Connie Stewart |
| 1936 | Breakdowns of 1936 Film | Self |
| 1935 | Musik um Mitternacht Film | Sally Mason |
| 1935 | Dr. Socrates Film | Josephine |
| 1935 | Im Scheinwerferlicht Film | Fay Wilson |
| 1935 | Der FBI-Agent Film | Jean Morgan |
| 1935 | Sweet Music Film | Bonnie Haydon |
| 1935 | A Trip Thru a Hollywood Studio Film | Herself (uncredited) |
| 1934 | Murder in the Clouds Film | Judy |
| 1934 | Gentlemen Are Born Film | Susan Merrill |
| 1934 | I Sell Anything Film | Barbara |
| 1934 | Side Streets Film | Marguerite Gilbert |
| 1934 | Housewife Film | Nan Reynolds |
| 1934 | Friends of Mr. Sweeney Film | Miss Beulah Boyd |
| 1934 | Midnight Alibi Film | Joan |
| 1934 | Heat Lightning Film | Myra |
| 1934 | Roast-Beef and Movies Film | Chorine (archive footage) (uncredited) |
| 1934 | Massacre Film | Lydia |
| 1933 | College Coach Film | Claire Gore |
| 1933 | The Way to Love Film | Madeleine |
| 1933 | Hello Pop Film | Dancer |
| 1932 | Three on a Match Film | Vivian Revere |
| 1932 | Crooner Film | Judith 'Judy' Mason |
| 1932 | Love is a Racket Film | Sally Condon |
| 1932 | The Strange Love of Molly Louvain Film | Madeleine Maude 'Molly' Louvain |
| 1932 | Der Schrei der Menge Film | Lee Merrick |
| 1932 | Scarface - Narbengesicht Film | Francesca 'Cesca' Camonte |
| 1932 | Sky Devils Film | Mary Way |
| 1931 | The Guardsman Film | Fan Saying "There He Is" (uncredited) |
| 1931 | This Modern Age Film | Party Guest (Uncredited) |
Filmstab 1
| Jahr | Titel | Tätigkeit |
|---|---|---|
| 1931 | Irrwege des Lebens Film | Choreographer |